[1984-10-22-UWF] Kazuo Yamazaki vs Nobuhiko Takada

[Ma Stump Puller]

This is a early house-show test of the December Korakuen and it shares a lot of the characteristics of it in particular; very long, focus on prototype shoot-styleisms to come, and arguably a bit boring in places. The first five minutes are virtually nothing but prancing around, occasional wiffed kicks and maybe one or two grappling bits that end in the ropes. Takada then dominates as he mostly takes control when on the ground. Yamazaki gets to the ropes and they reset. And....yeah nothing much happens for a bit after as well, it's mostly just them trading submission attempts at a fairly slow pace. I will say it's not even half-bad wrestling in that regard, it's just something that seems lost on this crowd bar the occasional fairly small chant. Like at one point they were trading shoulders on a small package application, which, like, would've been a spot that wrestling nerds on X would've gushed over in 2023; here it's just seen as a bit weird and not really given much of a reaction. The crowd do eventually start to pick up when the two go for strike exchanges, though unlike their December match they don't go into bombs, Yama just kicks Takada around a bit until he recovers and flops on top of him in full mount while trying for a double wrist lock.

He escapes and keeps throwing forearms and kicks until being tackled down. This formula is basically what they stick to for most of the middle half, bar Yamazaki occasionally throwing a slap or errant strike when escaping holds or positions. Takada is firmly established as the guy who just wants to drag this down with holds to avoid the risk of getting blasted with kicks, which does lead to some particularly dull moments where he's just hanging around and not doing a whole lot in classic Takada fashion. Yamazaki by comparison is a bit more dynamic in approach; even when he's trying for holds he isn't as complacent to wait on them so much, opting more to get the struggle when applied rather than to wait and then struggle. At some point Takada wants to do a top rope move (for some reason? ) and he gets thrown off as per standard. Despite Yama trying for a double wrist/Gotch side mount headscissors gambit, eventually Takada throws some kicks and gets in his reverse piledriver, so now we're getting a bit closer to what their taped match will look like.

Despite Takada's floaty kicks, the selling for when Yamazaki foils the back suplex by hooking his leg and making Takada fall is really well done; Takada gets knocked down and really seems off-base as he keeps getting knocked around with suplexes and dropkicks. Even when he gets the shoulder off the mat during the false-finish German suplex you can tell he's groggy off the impact, throwing these half-strict, half-sloppy slaps to the body and head while not even being able to stand up proper. I thought that their attempt at what a "shoot-style powerbomb" would look like; basically Yama forcing the movement, bringing it right down on Takada's side in a jerky kind of fashion; was incredibly experimental for the time and didn't look half bad. The finish was rather poor as Takada was stuck in the double wrist lock movement, but was able to roll into full mount and apply the move himself out of nowhere for the submission win. One thinks maybe that was done to protect Yamazaki/the sanctity of the matchup, which is understandable. Still sucked though.

With that being said, how good was this? It's hard to say, really. I felt like this did have some moments of greatness yet also had a lot of points (especially at the start! ) where you just could not get into the match. It was so ice-cold and the lack of real reactions from the crowd hurt especially. Will say that the mat-work while obviously dated does hold up mostly, bar Takada just dulling the match with long attempts at stuff that no one was really hard-biting onto as a potential matchender. If I can say one thing that was really positive: Yamazaki looked super solid with his sharp kicks and huge suplexes. He hasn't got that intensity yet (which is natural, he's essentially a kid here) but it's a good foundation, no shock given it's from the same guy who trained Super Tiger/Naoya Ogawa/Sad Genius, the Triforce of goofy wrestlers. I wouldn't say this is essential by any means of the imagination (especially with the crowd and smarky Japanese commentary) if you want a raw unfiltered taste of the experimental spirit that UWF Original was all about, I'd say this is a good shot at it.