Pancrase 1993 - 1999

[Control21]

I just started a Pancrase watchthrough blog, which will be covering every Pancrase show up until September 1999 (when Pancrase more or less stops using their old rules), and probably some other things on the side, like Shamrock's UFC adventures. I will be doing this through the lens of a broader definition of professional wrestling.

I will be sharing my thoughts on the matches specifically in this thread, but feel free to read along on the blog itself! I'd highly encourage everyone to read my introductory essay at the very least. 

Show reviews:
https://pancrasespirit.wordpress.com/2026/06/20/pancrase-yes-we-are-hybrid-wrestlers-9-21-1993/

Introductory essay: 
https://pancrasespirit.wordpress.com/2026/06/17/nature-and-being-of-pancrase/

Yes, We Are Hybrid Wrestlers (9/21/1993)

Minoru Suzuki vs Katsuomi Inagaki

Immediately, the urgency in this match is off the charts. Both Suzuki and Inagaki are moving like this LIVE in the sense that we are, yes, SHOOTING. Live rounds and all. Suzuki immediately snatches Inagaki’s left leg and goes for a nice single-leg takedown. Suzuki is clearly very confident as he works from top control and doesn’t give Inagaki much room to breathe. Inagaki does manage to trip Suzuki while he hunts for a leg, and the two end up in a bit of a leglock tangle on the mat. Suzuki keeps cool and snatches Inagaki’s leg for a heel hook attempt almost immediately. Inagaki fights out, and the two scramble for a bit on the mat as the intensity is still quite impressive. Back on their feet, Inagaki tries to throw Suzuki off him in a clinch, but Suzuki stays on him. It does seem like Suzuki never loses control of this bout. Inagaki and Suzuki trade palm strikes before Suzuki lunges in for another single-leg takedown from the waist. Inagaki scrambles out again to his credit, but Suzuki just doesn’t relent. Suzuki gains control of Inagaki’s back in the process, and oh no….Suzuki is hunting for the rear-naked choke. It doesn’t take long for him to secure it, and Inagaki knows he is in deep shit. Inagaki is caught in no-man’s land and eventually taps. Suzuki lets out a primal scream after the bell, and he approaches All Japan Kickboxing’s president at ringside. In a bit of a famous scene, Suzuki requests a match against Maurice Smith. Will he get one? I guess we will find out soon! In any case, this was a very impressive performance from Suzuki. Inagaki, to his credit, put up a spirited fight, but Suzuki was just too good. For the fans watching in attendance, the first match must have been a bit of a surprise. It was only three minutes, and the finish came a bit suddenly. Yet….it also didn’t seem quite different from anything else they saw. Except for the pre-determined finish and cooperation. That was very fun, I think! ENTERTAINMENT VALUE: ***3/4

Bas Rutten vs Ryushi Yanagisawa

Bas Rutten doesn’t seem too bothered by the occasion, and Ryushi Yanagisawa looks fairly confident. The bell rings, and the two trade quick kicks. Bas Rutten’s kick has a noticeable thud to it…and…yeah, he means business. He catches Yanagisawa with a devastating high kick, followed by a vicious palm strike. Yanagisawa is sent to the mat, but he manages to beat the ten count just in time. I have a bad feeling about this. After the match resumes, Bas Rutten comes rushing in with another palm strike and a nasty kick to Yanagisawa’s abdomen. That’s enough as Yanagisawa collapses to the mat in a stunned daze. The referee counts to ten, and Bas Rutten celebrates with his trademark jumping taunt for the first time. Wow, Bas Rutten made a statement there. Yanagisawa was just totally blitzed in 43 seconds. This was probably a more shocking finish than the first one we saw. The crowd seemed to agree! I’m sure they were thinking, “Is this for real?” Yes, it was quite real. Was it professional wrestling, though? We have a lot more questions to answer in this show, but if anything didn’t feel like pro wrestling on this show, it was this match. ENTERTAINMENT VALUE: ****

Vernon "Tiger" White vs Yusuke Fuke

The match has a quick start with Vernon testing Fuke with palm strikes before Vernon manages to get Fuke to the mat with a front guillotine, but Fuke manages to work his way out of it pretty quickly. Fuke establishes side control in the process and works both sides. Fuke is clearly hunting for a submission here, and he finds one with a Pillow V armlock, which looks quite painful! Vernon is in trouble, and he struggles quite a bit to break the hold. Fuke loses some leverage in the process, which helps relieve the pressure enough. Vernon tries to wiggle his way free, but Fuke stays on top of him and secures a cross armbar setup in the process. Vernon tries to headstand his way out of trouble, but Fuke increases the pressure in the process, and that’s enough to get Vernon to tap. Another quick finish! Both guys brought a ton of energy into the match, so credit to them for a good display of grappling. The crowd seems more prepared for a quick finish, and they seem to be understanding now that this is indeed different. It’s not as shocking as Bas Rutten annihilating Ryushi Yanagaisawa, but the brevity is still a bit breathtaking to anyone watching at the time. Still, there’s definitely a sense of pro wrestling here. The speed at which both Vernon and Fuke were grappling here is a treat. I don’t think they were going for entertainment straight out of the gate, but they allowed the quickness to take them where they wanted to go in terms of securing a legitimate submission. At least with Fuke, the fluidity comes naturally to him, especially as he transitions from a Pillow V to a cross armbar. No doubt this was something he picked up from his time in the UWF and PWFG dojos, and what they were doing there was a setup for what they would apply in a shoot-style setting. There’s a big common element here, I think! ENTERTAINMENT VALUE: ****

Yoshiki Takahashi vs George Weingeroff

The next bout is a bit of an interesting one. We have Yoshiki Takahashi, also of the PWFG dojo, against George Weingeroff. Weingeroff was a bit of a journeyman in the territory days, wrestling under nicknames like “Abdul Hassan” and “The Sheik.” He was also apparently an accomplished high school and collegiate wrestler in Tennessee. He’s also legally blind, and how he got to Pancrase is a bit of an unknown to me, but apparently, he made connections with Funaki during Funaki’s time in Florida during his PWFG stint, and Funaki figured he might be up to the challenge for a match on Pancrase’s debut show? I’m not entirely sure, but it’s an interesting combination nonetheless! Weingeroff would be roughly 41 years old here, so it’s certainly a bold and brave step for him.

Yoshiki Takahashi arrives in his neon green trunks, while Weingeroff chooses to wear a black singlet. The bell sounds, and away we go! Weingeroff immediately pressures Takahashi into a corner, and perhaps this would be a smart strategy on most days, but Takahashi positions himself well and manages to fight out by creating enough distance to launch a knee. This forces Weingeroff to back off, and Takahashi moves a bit too quickly for Weingeroff on his feet. Takahashi delivers a sharp kick right to Weingeroff’s head, and he goes down fairly quickly. The referee starts a ten count, and Weingeroff manages to respond by the count of eight. The crowd applauds politely, and Weingeroff attempts to apply pressure again, but Takahashi immediately starts throwing strikes and delivers another sharp kick near the same area he landed one before. That’s enough to put Weingeroff down for good! Another very short match at 1:23, and by this point, I imagine most people in Tokyo NK Hall had accepted they were seeing real, legitimate SHOOTING. I feel a bit bad for Weingeroff. I don’t think he really knew what he was getting into, but perhaps he was! It’s a good showing for Takahashi in any case, and this type of bout wouldn’t have been a stranger in the UWF or PWFG undercards if they came up with the same idea. Very one-sided match, though, and I don’t think Weingeroff ever gave Takahashi much to think about. ENTERTAINMENT VALUE: ***

Masakatsu Funaki vs Wayne Shamrock

The bell sounds, and our fantastic main event is underway. Shamrock opens with a hard kick to Funaki’s abdomen, and Funaki responds by creating distance and attempting one of his own, but Shamrock dodges and throws another one, leading Funaki to check it this time. They briefly tangle up, but they move quite quick, and they end up darting across the ring, exchanging strikes and testing each other with feints. Shamrock looks supremely confident here, and his confidence pays off as he manages to tie up Funaki and gain control of his back. It’s clear to me that Shamrock has the strength and explosiveness advantage. Funaki doesn’t appear to have the same cutting edge here, and I think Shamrock senses this. On the mat, Shamrock stays on Funaki with his rear control, and doesn’t look too fussed by Funaki’s attempts to change position. Shamrock attempts to set up a rear-naked choke, but lets go for some reason as he rolls through and regains control of Funaki’s back as he escapes. I would like to note at this point that Robert Wu makes a similar observation in his commentary on the IATV version, and even asks Josh Barnett why Shamrock would let go there. Josh Barnett responds by saying that perhaps Shamrock felt he didn’t have the leverage he needed. Was this one of those moments where Shamrock allowed Funaki to remain in the contest to keep the match going longer? Hard to say! It’s not the strangest thing I’ve seen, but it gives food for thought.

Back on the mat, Shamrock works from the rear as he attempts to gain an angle, but Funaki manages to roll over and attempts to neutralize Shamrock’s position by locking his arms around his waist, and then tries to create distance using his arms. Shamrock remains calm, and yeah, his strength might be too much for Funaki here. Shamrock forces his arm into Funaki’s neck, and this forces Funaki to roll over again. Shamrock is in total control here, and he is just casually giving Funaki a ton to think about. It doesn’t seem Shamrock is happy with the angles he has, so he keeps hunting, and this allows Funaki to escape and free up his legs. Shamrock is happy to allow this and picks one for a heel hook attempt, and the two engage in a bit of a leg lock battle near the ropes. This forces the referee to stand both back up eventually. This is a classic shoot-style spot! They were just applying what they knew to a real setting.

On their feet again, Shamrock measures up Funaki and delivers another sharp kick. Funaki clinches with Shamrock, and Shamrock muscles him down to the mat again while establishing top control. Funaki attempts to create distance again, but Shamrock applies more pressure with his forearms. Shamrock seems to be looking for an arm triangle here, and he gets it! Funaki is in trouble and seemingly out of ideas. Shamrock leans into the hold, increasing the pressure while finding an ideal angle. I think he has it…and YEAH, FUNAKI TAPS! Shamrock lets go and immediately starts celebrating while screaming. He is a happy camper! And why shouldn’t he be? That’s a well-deserved victory! I must say that the audience seems fairly shocked that Funaki lost that match, and never really seemed to be giving Shamrock much trouble. How often did the top guy lose their first match at the first major show in Japan? Not very often! Especially not in a match that only goes 6:15! 

Despite the way Shamrock controlled the match and the way Funaki never threatened Shamrock with a submission, this was still a very exciting match to watch. I’m not sure if Shamrock letting go of that rear-naked choke setup was an attempt to keep the match going longer, but I do feel that Shamrock probably wanted to keep things going a little bit longer when he went for the arm triangle, but he sensed that Funaki was out of ideas and went for the kill. Is this something that a pro wrestler would do in a real fight? I’d say so. Both Funaki and Shamrock brought a ton of energy into the match regardless, in line with the theme that defined most of the show earlier. In the same way that Fuke allowed his dojo training to guide him to the cross armbar against Vernon White, I think both Shamrock and Funaki allowed themselves to be guided by their shoot-style knowledge, and only lifted the barriers that existed in shoot-style to fully engage in a pure shoot. Pro wrestling without limits, in other words, and pro wrestling defined by legitimacy at the center, with the entertainment aspects more as periphery elements. In other words, this match was the clearest signal yet that Pancrase was taking pro wrestling back to its roots. ENTERTAINMENT VALUE: ****1/2