[2005-01-04-NJPW-Wrestling World 2005] Hiroshi Tanahashi vs Shinsuke Nakamura

[Loss]

Talk about it here.

 

https://www.youtube.com/watch?v=RQLHyqzgjH4&feature=youtu.be

[Superstar Sleeze]

U-30 Champion Hiroshi Tanahashi vs Shinsuke Nakamura - Tokyo Dome 01/04/05

 

Tanahashi defends his vanity title against Nakamura in the main event of the 01/04 Dome show in the last NJPW Dome show to draw over 40k. Incidentally, nine years later they main evented this past Dome show and drew 35k together. More things change, the more they stay the same. Even though the main event is a major shake-up from the usual Inoki-ist fare at the time, the undercard featured an "Ultimate Royale" Tournament, which was most likely a faux-MMA tournament where Ron Waterman went over Nagata?!?!?! Also there was the usual Chono old person match where he took on Riki Choshu and Tenzan in a triple threat match. While Tanahashi and Nakamura were clearly the future (they just main evented the 2014 Dome show, which did 35k), New Japan was still taking baby steps towards its current product. Just like New Japan was testing the waters, Tanahashi and Nakamura were still get acclimated to the main event scene in this uneven affair.

I would say Tanahashi or Nakamura were pretty even at this point of their careers (I don't know if a gap ever really formed between the two, but looking forward to finding out). Both are terribly inconsistent, but you can see there is enough good in each one to know that once they pull it all together that they could carry a promotion. What is also interesting is that you see a slightly different style emerging from this match that is clearly different than NOAH, but also a departure from traditional New Japan Strong Style. New Japan has always focused on matwork and strikes with each star having just a handful of spots (slams, suplexes etc...). Even before this match settled with matwork typical of a New Japan match. They each hit the other with an early suplex, which seemed oddly NOAH. It did not really fit with the rest of the match, but the match was such a hodgepodge that nothing really fit. The matwork was more in the vein of 80s style matwork that you find opening a Flair match: amateur ride and wrangling for positioning rather than MMA-style matwork. Then Tanahashi totally no-sells a superplex. Not like Luger no selling a Flair move because Luger is a badass. Tanahashi acts like the move literally did not happen. He just brushes it off. It was so friggin' weird.

 

I have watched Tanahashi matches before, but outside of his spots I do not really remember how he wrestles the body of his matches. I was very pleasantly surprised how he worked his control segment on the back. A babyface working a control segment is in my opinion the hardest segment to work and often gets labelled as heel in peril. There is a difference to me from heel in peril and a babyface control segment. A heel in peril resembles a face in peril with extended selling and wear down, but with a heel on the receiving end. I feel Tanahashi was working a match closer to how you would see Backlund would with a clear strategy and looking to close in on a victory. It feels like Tanahashi is building towards a victory rather than the heel gaining command and going into the heat section. I feel like I am not doing a very good job explaining it. It is like the better sports team just gaining the advantage in a game and never really giving up the lead. Nine times out of ten, the babyface is the better wrestler than the heel, but the heel cheats or uses roughhouse tactics to compete. However, wrestling also nine times out of ten tells the story of how the babyface has to overcome the odds even though on paper he is better. Thus this is an interesting wrinkle to actually reflect a sporting contest in a more meaningful way. Of course, I don't know if Nakamura is really a heel here, I know he is by 2006, but if this is just face vs face chock it up to Nakamura just having better heel charisma for why I think that way. Long story, short, I dug Tanahashi's back work.

 

Another odd thing about this match is that it felt oddly slow. It is not like they moved slow. Tanahashi wiped himself and Nakamura in a wicked dive and Nakamura has some really bursts of acceleration of his flying cross armbreakers, but even between moves it was really plodding. The match story became that only way Nakamura could compete with Tanahashi was through these flash submissions. Tanahashi controlled 75% of the match, but could not put Nakamura away. At first Tanahashi is able to withstand the submissions and even get his own dragon sleeper, but Nakamura countered that by using the ropes into his own dragon sleeper in the only spot of the match that gets a pop. This was HHH/Brock Wrestlemania 29 levels of silence. Nakamura does get to showcase his offense briefly and I just love how he puts his unique spin on everything. Nobody does a powerbomb or a moonsault quite like that. He is a very weird guy. Ambrose should watch more Nakamura, if he does not already. Nakamura misses a knee drop to end his offensive spurt. Tanahashi slaps him a couple time to draw the nose-to-nose and you know end game is coming. Tanahashi hits a powerbomb, but Nakamura locks on the triangle choke, Tanahashi escapes to get a dragon suplex. Nakamura gets a cross armbreaker out of nowhere and Tanahashi sells it well to know he is finally in trouble. The sleeper nearly renders Tanahashi unconscious when he looks to break it, Nakamura quickly switches to the cross-armbreaker to win.

 

I liked the basic idea of the story: Tanahashi controls the majority of the match, but Nakamura hangs on with flash submissions. Tanahashi lets him linger and eventually bites him in the ass. Still the execution was just off. It felt slow, cold and uninteresting. I think Tanahashi works on top just fine, but just did not have a commanding presence at the time. Nakamura working from underneath worked in one regard because the flash submissions were an interesting hook, but he was not very good at selling. The beginning was pretty awful or boring. Things did get better after Tanahashi started to work on the back, but they were still a ways a way from delivering a classic. ***