dawho5

My criticism of Hansen would be about the way he could really throw off his opponents in bad ways. I read a shoot interview where he said that he liked to just go at his opponents and see how they reacted, then go from there. While as a wrestling fan I find this approach very entertaining, there are only a certain amount of wrestlers who are going to be able to deal with that well. The vast majority of pro wrestlers need more predetermined structure and just to have things laid out beforehand. I can imagine a lot of guys got a little intimidated by the way Hansen did things and the matches would suffer for it. Also, the point of safety has been brought up earlier in the thread. The way he really drove his elbow drops and some of his knee drops in and how close they were to the throat is pretty scary considering the guy was half-blind. Also, that powerbomb on Kawada in the big 93 match, he completely lost him about 2/3 the way up it looked like. If he loses control while Kawada is at a worse angle, that could have gone really badly.

I thought the best Hansen vs. Tsuruta singles match was when Hansen and Tsuruta were brawling for 99.9% of it. Tsuruta came out all fired up and started using Hansen tactics against Hansen. Oddly enough, the only wrestling move in the match besides pin attempts was Hansen trying a piledriver that got reversed. Tsuruta even started grabbing chairs and chucking them at Hansen, which I thought was pretty cool. Then I watched the matches Hansen had with Misawa, Kobashi and Kawada, which blew that one to pieces. Thing is, after watching 1983 All Japan, I can't in any way discount the effect Hansen vs. Tsuruta had. 1983 AJ would have fit in as an American territory with some very small modifications to the style. Then along comes Hansen and 6, 7 years later Tsuruta is working at least 5x stiffer and more intense. I don't know (read something about this guy on here) if Hansen was the only thing that brought Yoshiaki Yatsu around or what happened, but the tags with Hansen/Tenryu facing Jumbo/Yatsu actually got quite a bit more intense. First few tags I saw Yatsu against Stan, he was trying to suplex and use submissions all the way through. Then in the later part of '89, Yatsu starts going after Hansen like a madman with his overhand chops and headbutts (even while he's wearing a head brace). Combine that with the HATE between Jumbo and Tenryu at the time and those are my favorite matches involving Hansen and Tsuruta. I do think that Hansen had a ton to do with 90s AJ wrestling style. His influence is really easy to see in the stiffness of Kawada, Misawa and Kobashi. Jumbo didn't have that stiffness until after he had a lot of time in against Stan. I'm not saying that Jumbo, Tenryu and Baba didn't have any influence over the 4 Pillars, but Hansen made a really big mark on the future wrestling style there.

So I got back into wrestling recently and discovered I have different tastes after 7-8 years of not watching any. One of the big things I noticed was something about a wrestler I really used to enjoy and now find myself unable to watch more than 2 or 3 matches without having to find somebody else to watch. That isn't to say I don't enjoy some of the work, just parts of it I find bothersome, especially when grouped into multiple matches strung together. Koji Kanemoto is somebody I really wish I could call a great wrestler. He has good kicks (I really like his spinning side kick to the ribs, looks brutal), a great dickish sort of charisma, an incredible moonsault and his bridges on German and tiger suplexes are absolutely incredible. However, several things he does tend to annoy me pretty quickly these days. First and foremost, despite how nice it does look, is his belly-to-belly. Almost invariably, when it comes time for a late match turnaround to get to the finishing run, Koji's opponent will start rope-running like a madman. Which leads, not *always* right away, but it always does lead to the suplex. Which is usually not too far from big-nearfall moonsault time, after of course the front slam and the single fist. On that same note, a lot of his '90s matches I have seen (haven't seen much of his work after 2000 but it seems similar) follow a very similar flow. I suppose you could say that about a lot of the NJ juniors stuff at the time. Either way, it seems to me that good wrestlers are the guys who are physically capable of outstanding performances in the ring, but never really got the mental part of wrestling fully. They can put their spots in the right order and do all the things they need to, yes, but they don't adapt mid-match to their opponent. After watching more than a little Stan Hansen, he seems really good at building a match based on what has happened so far and where it is going, not trying to fit it into some pre-conceived structure he had in his head. This to me is what makes great wrestlers great. On a slightly sad note, I have been looking at Ultimo Dragon in a very similar way to how I (before I could truly articulate it) looked at Koji Kanemoto in terms of enjoying his matches. Will have to delve a little deeper into that when I reach a good stopping point on my AJPW. My question to all of you is: Who fits this kind of experience for you? Why?

I am not well-versed enough to really go into a lot of the detail people have in this thread (and likely elsewhere) about this match. However, one thing that really struck me about this match that hasn't been mentioned yet is the Kobashi quest for the moonsault in this match. It's clear that early on Kobashi is not going to stop trying to get that moonsault. Every time he does, that bum wheel is just making him too slow and he ends up eating more damage, but Kobashi being Kobashi, he's not EVER giving that up. Admitting defeat is just not in his nature. So eventually Misawa comes in, seeing the struggle Kobashi is going through, and when Taue/Kawada still resist allowing Kobashi to get his moonsault, Misawa goes to the extreme step (and possibly one of the most selfless things I've ever seen in a wrestling ring) of using his frog splash to set up the moonsault. Not many main event wrestlers will put one of their big spots as support to allow a similar spot by their teammate. I admit, it's not like he used a tiger driver to do it, but it's still a big thing. Then Kobashi FINALLY hits that moonsault and the crowd is all over it. Honestly, I knew that he wasn't getting the win with it but after all that work I had this little glimmer of hope that it might pay off big.

My name is Mike, I live in North Dakota and I am 36 years old. I got into wrestling watching WCW in late 1996 until somewhere near the end of '98. My favorites at the time were Benoit, Eddie, Dean Malenko and the cruiserweight division. This, naturally, led me to the NJ Juniors. Watching that got me hooked on wrestling, but then I stumbled upon my first Misawa vs. Kawada match. Honestly, I don't think I've ever looked back as a wrestling fan. '90s AJPW (anything I have seen involving the 4 Pillars, Akiyama or Stan Hansen anyway) is my favorite wrestling style and has been since I saw that match. After about the 2005-6 time frame I stopped watching wrestling altogether until late 2013. During that downtime, I also threw away an entire box of wrestling tapes. Can't say I don't curse myself for that one daily at this point. I got back into wrestling after playing enough TEW 2013 to kill my brain off by early Sunday one weekend, just started looking up matches on youtube and immediately rekindled my love of '90s AJPW. Then I started to explore some of the old territories wrestling in the States. That to me is something I really have to get into. The way they used such a small amount of wrestling moves to create such emotionally involving matches that could go 20, 30, or in some cases 60 minutes is absolutely incredible. Then I went back to my beloved NJ Juniors and saw (I think) in a new light all the things that drove me away from watching a lot of that stuff back in 2005-6. I could get away with watching a few matches, but by the 3rd or 4th, depending on who it was, I really struggled to not see the pattern that every match seemed to follow, the obvious setups for transitions and (worst of all because I know I hated this back then) the way every match degenerated into going to the top turnbuckle at the very least every third move if not more in most of those matches. In a quick return to obvious transition setups, I am a Koji Kanemoto fan, but I have a hard time not hating how 90% of the time he needs a late match turnaround, the other guy will start rope-running and smacking him around, then comes the miraculous belly-to-belly (that is incredibly nice). It's such a disappointment for me to see that too often now. Also, early Marufuji got a lot of heat from fans for the flash kick turnarounds, but I gotta say that Koji wasn't too far from that kind of abusiveness with the belly-to-belly and was experienced enough to know better. And so (after a bit of rambling) now I am working on beefing up my 90s AJPW stuff from the 4 Pillars and Stan Hansen. Starting a bit on some of the more American stuff from the 80s, but Rudoreels is not exactly a prime source for that. Their 90s AJPW stuff is excellent though, and I am hoping to one day get started on some lucha libre as well. Any suggestions on where to pick up some good Lawler, Terry Funk, Horsemen in NWA, Dusty, Steamboat, Freebirds, etc., just anything from around that time would be welcome. Once I build up my All Japan gonna look into investing into some chronological compilations involving the big feuds, matches and promos from that era.