ohtani's jacket

Kind of odd they picked him and not a Lucha character, no? He says xenophobicly. It's an autobiographical piece. Adonis was Gilbert's childhood hero when he wrestled as Gorgeous Keith Franks and the story's about what happened years later when he met him at a houseshow. There's even a cameo by Iron Mike Sharpe. Someone should get these guys on a podcast.

I had no idea Adrian Adonis was immortalised in a back-up story in Love and Rockets. http://4.bp.blogspot.com/_kZ6kU5rMhwA/Sdjw...6R16_page31.jpg

Rude was Heyman in WCW for the better part of his run. Maybe I'm reading this wrong. Are you saying he was better in WCW after he split with Heyman?

I think everybody likes Estrada more than me. The link is dead I'm afraid. I think you can get it from Alfredo for fairly cheap.

Sometime around the beginning of the year, I asked the question: "which will last longer, Black Terry Jr.'s handhelds or this good patch IWRG are going through?" Fortunately for us, they both lasted longer than expected. Now that Terry has quit his handhelds, all that remains is to thank him. I think we're all indebted to BTJr. for capturing a unique period of lucha libre history on film. Hopefully, it can be perserved in a more durable form than internet video sharing files, and hopefully this isn't the last we've seen of our Naucalpan favourites. Though it's poetic in a way, isn't it? Los Terribles Cerebros vs. Los Gringos VIP, Distrito Federal Trios Championship, 5/20/10 The ongoing Cerebros vs. Gringos feud has produced most of the top matches in Mexico this year despite the fact that it doesn't have an ascertainable storyline. After watching lucha for a number of years, I have decided that the key feature of lucha booking is creating gimmicks. Once a gimmick sticks, a worker or group of workers can prosper for a mighty long time by going through the same basic cycles. This is in direct contrast to the fidgety booking styles of US companies, who'd sooner have the Gringos turn on one another than have the gimmick meander on forever. Lucha can be a bit rudderless at times, and this match was a case in point. Title belts on brawling rudos is a cheap prop, in my opinion. Brawling rudos winning trios titles from their rivals is an acceptable piece of booking but brawling rudos winning a trios title tournament is wonky in my view. I'm probably forgetting a thousand instances where this type of thing happened in the past, and lucha title booking is a bit of a merry-go-round at the best times, but if you can't mount a lucha title defence to any great degree then I don't think you should be wearing the props. Avisman is the most capable of the three on the mat and should probably be working as the lead-off guy because of his stature within the group, but the problem with that is that it leaves the less talented workers as first and second drop, and there's never really been a memorable trios match where they weren't building better and better exchanges with each pairing. Hijo del Diablo did some fun stuff with Dr. Cerebro on the mat this year but it's questionable how much of that he can reproduce outside of his ring time with the doctor. I think Diablo has a good captain's fall in him, but Gringo Loco is the "gringo" in Los Gringos VIPs and there's not much happening on the mat there. He's improving in his general exchanges with people, but his matwork is a below par version of the stuff Cerebro Negro passes off as matwork. Since the group dynamics prevent them from having their best worker as the ace in their pocket, they're an awkward bunch when it comes to title matches and the upshot of all this was that this match was more like your standard trios match than a proper lucha libre title match. And by standard, I really mean the kind of record that was massed produced when the gramophone was first invented. Not the world's most original trios match this. My advice is to stick to the brawls. Los Terribles Cerebros vs. Los Gringos VIP, 6/5/10 This was more like it. The first fall was too compact for my liking but they ratcheted up the match in the second fall to the point where I thought perhaps they were easing their way into the match in the first fall and I had been too harsh. The catalyst for all the excitement was all three members of Los Terribles Cerebros blading and the galvanising effect it had on their comeback effort. Easily the best Terribles Cerebros performance since their performances started to go South towards the end of last year. If this is the last I see of Terry for a while (or indeed ever), we can be rest assured that camera or no camera Terry will keep brawling into the sunset.

Black Terry y Negro Navarro vs. Ultraman y Solar, 5/1/10 Since the Celtics couldn't grab a rebound to save themselves, I thought I'd drown my sorrows in some professional lucha libre where the results are fixed and the outcome doesn't matter that much. And people wonder why Dave Meltzer wishes the world was booked. (I've got to admit, Celtics/Lakers was probably booked the right way storywise but it still sucks.) This was your typical sort of maestros match. The focus here was on the exchanges with not much else holding the match together; not the sort of match you watch if you want to see how great wrestling can be as a storytelling medium, but definitely worth watching if you want to see how cool lucha libre exchanges can be. There wasn't a lot of matwork this time round, but this sort of middle ground between matwork and running the ropes has long been one of my favourite parts of lucha libre. Solar and Navarro, in particular, really excel at working the middle ground. I know I've complained about too much of a good thing when it comes to Solar and Navarro but some of the stuff they did in this match was ultra slick. The first two falls of this match were pretty crips with everything humming along nicely. The third fall wasn't the greatest in terms of ideas or execution but it was still pretty fab. It was a great crowd and you kind of wish they'd turned it up a bit in the third caida but the lucha indy circuit isn't much of a Chitlin' Circuit in terms of raw soul. Stilll, it was an easy watch on a lazy afternoon and helped chase the blues away.

Black Terry, Negro Navarro y Villano IV vs. Blue Panther, Ultimo Dragon y Olimpico, UWE 4/24/10 This was a beautifully worked match and definitely the purest trios I've seen this year. Black Terry Jr. really spoiled us with this one. Thank you, you magnanimous young man. I've often complained that when Black Terry works these UWE matches alongside Negro Navarro he's nothing like the Terry we see on his home turf. That Terry is an unqualified legend, but in UWE Terry pretty much does his thing and heads back to the apron. Not on this night, however. Terry packed his working boots for this trip. His stuff may have been secondary to You Know Who vs. You Know Who, but he really gave Olimpico a match here. And it's fair to say that Olimpico responded in kind. The two of them put on probably the best standard trios stuff Terry has done all year. Whatever happened to Olimpico's career, anyway? He came across as a lost good worker here. If someone would kindly tell me why he's working nothing but indy dates, I'd appreciate it. Of course the main reason to watch this match was the battle of the maestros; Blue Panther and Negro Navarro being arguably the two most deserving recipients of such a title. I can't think of too many potential match-ups in lucha that are more appealing to the vocal minority than Blue Panther and Negro Navarro and let me just state emphatically that they did not disappoint for a second. This was some serious, serious wrestling. I know Panther's wrestled just about everyone in the business in his 32 year career and works a ton of dates each year, but a guy with the skills that he possesses HAS to appreciate working a match against Navarro. How could he not have enjoyed that? Panther's having a good year from the little I've seen, but anytime he wants to have a falling out with CMLL and be reduced to working indy dates to survive he's welcome to go right ahead. A lot of times in matches like these, Solar and Navarro dominate the ring time and there's little tying the falls together but I thought this was a tidy little match with nice balance to the exchanges. They even managed to hit the ring well for the finishes and there were a couple of dives at the end. You're never going to get the really great trios we saw in early 90s Arena Mexico in the sort of arenas UWE run and it's hard to work that sort of a match in front of smidgings of people, but this was another three stars is the new four stars classic and another Black Terry Jr. handheld victory. Watch it if you haven't.

Black Terry y Cerebro Negro vs. Trauma I y Trauma II, IWRG 4/29/10 I took a bit of a break from lucha over the past couple of months. It wasn't something I intended to do, but I'm back and ready to talk about the Grupo Internacional Revolución. The IWRG style of wrestling isn't perfect, but one thing's clear and that's that their workers try harder than just about anyone in the business. In wrestling you can either work big or small depending on he venue and the size of the crowd. With an arena the size of Arena Naucalpan, IWRG workers are forced to work small all the time. There's no distinction between studio and arena match like there was in the old US territories or in companies where multiple venues are used. When you work small, you need to work small and sell big. That means working with the type of energy and charisma that draws people's attention and builds that interest into heat. Wrestling like you're working in front of a hundred people, selling like you're performing for ten thousand. This, of course, is easier said than done. Oftentimes, IWRG matches never get off the ground. They become bogged down in half complete ideas and lack any sort of forward momentum, which often occurs when the performances aren't "big" enough. As wrestling fans we tend to make a big deal out of big performances and often exercise our own creative juices when describing a big match performance and the story that came out of it. That's a fan's prerogative and I have no problem with a bit of artistic license, but it struck me while watching this match that a little bit of antagonism is all it takes to charge a professional wrestling match and give it the spur it needs. When you think that all story is based on conflict and all professional wrestling is based on fighting, that makes sense I believe. But what really made this match work was how the workers turned that conflict into forward momentum. I was impressed with how each detail in this match was followed up on and expanded upon as the match progressed. Now the idea that a Black Terry match would become chippy and confrontational is a pretty simple idea narrative wise and not particularly startling considering it happens in practically every Black Terry match, but I don't think workers ever get enough credit for stringing together a central theme in "real time." To lay out all those details, build off them and pay them off without the ability to go back and edit and revise anything and to just adlib and juggle it all in your heads makes wrestlers far more talented performers than they're given credit for. As a viewer, it's easy to watch a match and piece things together (and even easier to criticise when there's nothing to piece together) but for workers to work structure on the spot, so to speak, never ceases to amaze me. Make no mistake about it, this wasa big performance from Black Terry. The other workers were all good but it was Terry's charisma and selling that made this a more compelling match than usual. If you ask me, Black Terry is the Most Interesting Man in the World and certainly the most badass 57 year-old on the planet. I'm starting to wonder if a reasonable case can be made for Black Terry as a top 10 lucha guy all-time at least in regard to what exists on tape. Terry's reached a level like Satanico or Casas where you'd consider his performing to be acting. He may not be a real actor in the stage sense or anything like that, but in terms of wrestling his performance skills are on a far higher level than the average worker. I mean when you think about it, this was a two-on-two tag match, a form of wrestling that most luchadores are uncomfortable with and matches that tend to underwhelm even in IWRG, yet Terry's personality still dominated. On a side note, this was the first time I'd seen Cerebro Negro wrestle in quite some time. I wasn't sure whether he'd been injured or if he was in the doghouse but it was a solid return. His early exchanges with Trauma II surprised me as I couldn't remember him being so quick with the type of armdrag/judo throws that they were working. I did think the end of their exchange petered out a bit, however. Particuarly in comparison to the upward swing that Terry usually leaves his exchanges on. Anyway, it's good to see that IWRG is still kicking out the matches. Which begs the question: is this one of the greatest indy runs ever?

If Gotch and Hackenschmidt were alive today, wouldn't they latch onto whatever made them a buck? Seems like there'd be more money in claiming they were in the original MMA fights than being part of the wrestling fraternity.

Because the longer Dave and Co push it and no one stands up to say "uh, no" the more people start to believe it. You'd think we'd be at the point that the mindset of ignoring misinformation makes it go away has been proven wrong, but we're not. Is there really a significant amount of people pushing the Meltzer line of thinking or are you talking about years into the future? It doesn't seem like something people care about.

Why do people care if Dave thinks they're the same thing? This is a pretty worn out talking point considering nobody ever adds anything new to it.

Well, you may be right John, but I don't know if the Classics argument is fair. There was a lot of stuff that didn't make it onto Classics, particularly with All Japan since it had far less episodes. Maybe the guys putting Classics together didn't think Murdoch was any great shakes, but there wasn't a lot of rhyme or reason to how they put it together nor did it have much of an audience. I assume Murdoch made it onto the original broadcasts. I wouldn't deny that there's something of a Showa influence to how Murdoch may be perceived, but I'm not sure why you're lumping Dick and Ted together aside from the fact that they were both Mid South guys. It seems to me that Dick enjoyed a fair bit more success in Japan than Dibiase ever did. From my experience, Murdoch is mostly remembered in Japan for his North/South run, his brainbuster and the calf branding. I'd say those were the major things. I dunno about Ted. Doc and Gordy probably were positioned as bigger stars in All Japan than Murdoch was in New Japan, but there were big changes in the business from the Showa era to the Heisei era. It's probable that Murdoch would've never been given a top position in a Japanese company regardless of whichever era he was in, but at the same time I think the sheer volume of tours he did has to count for something particularly considering that he wasn't a touring champ and not *really* a gimmick guy. How much does being a staple gaijin count for vs. a push? Murdoch probably had the least name of the gaijins he first toured New Japan with in '81, right? But I'd wager that he came back more times than any of them. And how do you measure hardcore fan interest in the early 90s against casual interest in the 80s? Doc and Gordy weren't on TV at any sort of reasonable hour. Anyway, they're all being forgotten now. It's kind of sad, but the longer I stay here the more I think it's remarkable how long pro-wrestling was able to survive as a marketable form of entertainment.

I don't think Dick was one of the biggest gaijin stars in Japanese pro-wrestling history and I don't even think he was one of the biggest stars during his tenure with New Japan, but he was extremely visible and Japanese records have him with even more tours to Japan than 43 (which could be wrong, but any rate he was a mainstay.) I think he was a second tier guy. An upper second tier guy maybe, but a second tier guy. But were guys like Nick Bockwinkel or even Ric Flair bigger stars than Dick Murdoch just because they were touring champs? At a certain point visibibility and longevity must count for something regardless of where Dick was used on the card, especially given the new audiences that Japanese wrestling was reaching in the 80s.

Tamura or Sano? Sano being as good as he was at shoot style was pretty phenomenal. He was one of the best workers in what you might call the "middle period" of shoot style and seemed to pick it up straight off the bat. Tamura, on the other hand, took a long time to come of age and had a really awkward development phase. It's arguable whether he'd have been any good if he hadn't started imitating Pancrase. Of course, once he started he pretty much set the benchmark for the style (a benchmark that will sadly never be passed), but I don't know if that's as impressive as Sano picking the style up in his very first match. Steamboat or Bret? One of the things I enjoyed most about the WCW project we did at Smarkschoice was developing a finer appreciation of Ricky Steamboat. He worked with a lot of great workers in WCW but I don't think for a second that you could use that as an "advantage" that he had over Bret because of how good he looked amongst all those great workers. He stood shoulder to shoulder with everyone and I think you'd be hard pressed to argue that anybody was truly better than him during the first 12 months of his return. I liked Bret a lot in the past but have no interest in ever seeing him work again. Marty Jones or El Dandy? This is a tough one. Marty Jones was probably the best British worker I've seen on tape from the 70s and 80s. Not my favourite but the best. Dandy was pretty special too. I might have to go with Marty Jones on this one since he was the best worker in the UK for so long.

I'm not really sold on Terry Gordy being a bigger star in Japan than Dick Murdoch because he won the Triple Crown. I don't really see what title matches have to do with it.

It was a long time ago and I don't have the e-mails anymore, but the way I remember it Vanes supposedly co-owned a gym with a guy named Frank (IIRC) and it was his business partner who logged into Vanes' e-mail account and told us that Vanes had been in an accident and was having emergency surgery. Then, however many hours later, he sent another e-mail saying that Vanes had died. A few days later, his girlfriend or fiance, Sarah I think her name was, sent me some e-mails bequeathing me some of Vanes' stuff.

The first e-mails we got were from his business partner. Then I got a couple of e-mails from his girlfriend.

Vanes sent his friends e-mails after he "died." There were probably clues in them had we been smart enough.

Tangent time -- I dunno if Octagon sucked as such. Máscara Sagrada and Super Muñeco, now they sucked. I remember El Dandy making Super Muñeco look like half a million bucks once and to me that was more impressive than Fuerza and Octagon, because Octagon had some decent Black Man/Fantásticos, knock-off stuff that the better rudos could work around. Super Muñeco had fucking nothing. Besides, the fact that most of Octagon's singles matches never aired makes it difficult to say with any certainty that Fuerza carried him better than anyone. It does seem that way, however.

Got some catching up to do. 3/21 - Gimnasio Nuevo Leon Los Cadetes del Espacio (Solar I/Super Astro/Ultraman) vs. Black Terry/Negro Navarro/El Signo Have people watched this match yet? Because I thought it was tremendous. Space Cadets and Terry & the Misioneros in a match where everybody looks good? Don't tell me Black Terry Jr. handhelds have spoiled folks. This was only a one fall match, but they really went to town here. Definitely, the slickest this group has looked in a while. Usually, I complain about how much Solar vs. Navarro dominates these matches but in this case everybody got a chance to shine and the match was considerably better for it. El Signo has been resurgent of late, which may have something to do with him announcing his retirement. He may be paving the way for a comeback by leaving folks with a good impression, but no matter, Signo is busting ass again and has leapfrogged a great many luchadores in my estimation. Like I said, there will be no complaining about Solar and Navarro this time. Quite the opposite, as I thought they produced some of their best ever work in this match. Maybe I was caught up in the rhythm, but I thought they built to their usual crescendo with amazing aplomb. Instead of slowing the pace, they built on the rhythm that Signo and Astro and Terry and Ultraman had set. Navarro and Solar working fast is a beautiful thing and I was really pleased that they worked this like a Space Cadets match instead of Navarro's usual pace. After liftin' things higher and higher, they reached their usual impasse and then everyone changed partners!! Hallelujah! The second half of the match was the best non-Puebla classic lucha I've seen in ages. We got a glimpse of Solar vs. Terry in this quasi-fall and it was good. Very good. They had a match last year, but it was before Black Terry Jr reinvented the internet. Anyway, it was fantastic and built to topes from the Space Cadets and the greatest fucking showdown at the end between Navarro and Solar. They did the most kick ass submssion finish they've ever done and for a while I felt like testifying. This was a serious groove. Mascara contra Caballera: Rey Hechicero vs. Caifan Rockero I This was a real indy style mascara contra caballera match and not traditional in the slightest. Watching this, I wondered if I could live with this as the modern style of lucha libre wrestling. Quickly decided I couldn't, but Rey Hechicero is a fun worker.

You can make the same criticisms about every major company these days. Must be something in the water.

If I were a Shawn Michaels fan, I'd be more worried about what he does from now on than his place in wrestling history, but I guess he deserves some credit as a big match performer in these past few years (at Mania anyway.) I thought his acting in the "Running up that Hill" montage was horrendous but maybe it was the dialogue.

Haven't done one of these for a while. Would you please welcome back, Mr. Raging Noodles! PERRO AGUAYO Y PERRO AGUAYO JR VS. CIEN CARAS Y MASCARA ANO 2000, hair vs. hair, CMLL 3/18/05 aka The Blowoff to Perros vs. Dinamitas RN: The Perros started off with a lot of fire, Perrito looked fantastic running in with his rapid fire brawling. Perro really looked to be hurting and struggling at times, but he's always so interesting to watch and no one matches the emotion and charisma he brings to pro wrestling. I mean, at this point I really think Perro Aguayo Sr. may be the most charismatic pro wrestler ever. No doubt I've seen bad matches with Perro Aguayo Sr. in them, but I've never been bored or ever thought of turning it off, he has a real star presence and his battered scarred up face is iconic (also I can't imagine wrestlers 50 years from now having the sort of legendary faces that Perro Sr. or Villano III have). When I first watched "When World's Collide", the most memorable image of the show was of teenage girls hugging and kissing the battered Perro Aguayo, who happened to be covered in blood in the most gruesome violent manner possible. Also, I must admit that sentimental value may be involved here since Perro Aguayo Sr. was the first genuine star I ever saw as a kid at a live pro wrestling show in Reynosa, Tamaulipas. As expected, the first two falls are very short and quick, but what really stood out was how great Los Hermanos Dinamitas were at working these two short falls. Both guys were eating Perro and Perrito's offense in a very entertaining fashion, but what was even better was how great their teamwork was. Everything they did together offensively, from hitting simultaneous moves or hitting the same moves one after another just flowed so smoothly. It was pretty simple but it was so pleasing to watch what they were doing. As the final fall opens and we see some more great work from the brothers, it dawns on me that this is one of the great career matches of Mascara Año 2000. He was incredible at everything in this match. He was awesome dishing out hard headbutts and strikes to Perro Aguayo Sr. and just as cool when he was beating the shit out of Perrito by slamming him on the steel rampway. I was really impressed at how he would eat Perrito's dropkick during transitions and how he would throw himself and fly to the outside in such a spectacular way. Mascara Año 2000 was so great in here, he's one of the main reasons why this match is as good as it turned out to be. Perrito is also great at making a big comeback in the third fall, and beating the shit out of a Mascara Año 2000 (especially when he was stuck to a ringside chair). I can see how some people would be turned off by how histrionic and how much of a scene-chewer Perrito could be at times, but I just really dig how much energy he brings to these type of matches. What I really loved about this whole spectacle, was the layout of the match (especially the way the tercera caida unfolds) and I was thrilled at how well it worked for this match. It was so precise and tight, it made this whole thing feel epic in a way that we don't see often anymore. It was like a formula B-movie that exceeded its expectations due to some fine craftmanship, the talent and charisma of its performers. I don't really want to spoil exactly what happens in the third fall since it's a very exciting conclusion but I'll give some details. They manage to fill this final portion of the match with some pretty clever twists, exciting nearfalls (from great high-end moves executed from Mascara Año 2000 and sold perfectly by Perrito), failed double team moves, well timed eliminations, outside interference, momentum changes, referee distractions (and referee bumps), and miscommunication spots. During the third fall, I was thinking how much better this would have been if Black Terry Jr. was at ringside filming this, just so we could get a good taste at how hot this Arena Mexico crowd was. They really seemed like the hottest crowd ever, but we'll never know thanks to how terrible Mexican TV audio is. But back to the main point, this match really delivered the goods. OJ: It's funny how things change. There was a time when I would've balked at watching this match. After all, I grew up in an era where Los Hermanos Dinamita were synonymous with bad wrestling. If the Wrestling Observer had been some bizarro publication that covered mainly lucha, Cien Caras would have won all those Worst Wrestler of the Year categories year after year and I wouldn't have bat an eyelid because it was accepted that headliners were stiffs who could barely move a muscle. The Aguayos, Rayos and Dinamitas were the Hogans of Mexico and that's pretty much how we made sense of lucha libre. Turns out we were wrong and Los Hermanos Dinamita were just about the perfect main eventers. This match is pretty much your atypical, latter day main event. There's no blood of course and not enough time for any real control segments, so you have to create drama in other ways, booking twists and turns in the match and blocking it out so that the wrestlers know where their marks are and when to be in position. It's basically a WWE style of working, right down to the Spanish equivalent of "Good God almighty" commentating. As far as I'm concerned, there's nothing wrong with working to a formula -- it helps wrestlers to structure their matches and is something that every worker should learn -- it's when the match seems choreographed that there's a problem. This match (Perros vs. Dinamitas) came awfully close to looking choreographed and was saved by one thing and one thing alone -- selling. That's right! The "S" word. The most important thing in wrestling. The dividing line between good and bad. And the saving grace of the CMLL style. In the second caida, for example, there's a transition that would've looked completely choreographed if not for some awesome selling from Caras. The transition occurs when the Perros are double teaming Caras and Perro Jr signals for Senior to use the ropes to put some oomph into the attack, but they telegraph it too much and Caras ducks out of the way. It's a fairly standard transition -- a trigger spot for the rudos to take over -- but you can see Caras eyeing his chance as the Perros line him up and when Perro hits his son, you know it's game on. Y'see, this was the last hurrah for the Dinamitas. Caras had come out of retirement to do this angle and it was pretty much the end of the road for Los Capos. What you had here was one final assault. Los Capos was a really fun era of Los Hermanos Dinamita. I liked how Caras dyed his hair jet black and used his real name to great effect, Carmelo being an awesome name for a capo. Noodles is right that Mascara Año 2000 was the guy holding this together (and had pretty much as close to a Black Terry performance as Mascara Año 2000 can get), but Caras was the guy marshalling the attack. The thing about Caras is that he looked like the sort of prick you could meet in everyday life -- a teacher, a co-worker, a coach, an inlaw -- he had this sort of universal "prick face." He always reminded me of the all-American asshole in that Dennis Leary song, except that he was Mexican. There's a part where he cheats in the tercera caida to eliminate Aguayo and I swear his shit eating grin makes him look like the world's biggest asshole. The "rudo segment" of this match was no longer than the ones we see today but the brawling seemed to have far more urgency to it. Strange that a 55 year-old guy beating on a 59 year-old guy should look better than anything since. The fact that both guys were slow and could barely raise their legs was a big part of why the pacing was good, but I'm still trying to figure out why this is good and Flair vs. Hogan sucks. It's a curious thing why veteran wrestling is better everywhere in the world except the US. The Dinamitas basically succeeded in churning out something entertaining in the modern CMLL style, which few, if any, rudos have done since. Perro Aguayo Jr. brought good energy to this match and later matches as a rudo, but he was a blatantly modern worker. He charged about looking like he knew what he was doing but he was heavily reliant on those turning points in a match where something controversial happens. Take away those crutches and he looks like the myth that El Hijo del Santo created. It seems so simple that for every move you do -- whether you're on the receiving end or attacking -- you should sell. I mean that's as simple as reacting, but for some reason CMLL guys are like drones. I suppose I could come around to them like I did with Los Hermanos Dinamita. That's pressuming that the next generation of luchadores is even worse than the current lot (which seems more than likely.) But Jesus, those air horns. And the lack of selling. And the lack of asshole rudos like Caras. The Dinamitas rode off into the sunset after this match and cast a long shadow on the lucha that was to come. I wonder if we'll ever see their like again? It would be wrong to say that they were fantastic workers as they could be pretty terrible at times, but when they had their working boots on they knew how to entertain. Anyone who says rudos like Los Hermanos Dinamita can't get over at Arena Mexico anymore is kidding themselves. That type of thinking is an excuse for how poor the rudos are today. If the Dinamitas were younger, they'd do it again, taking the lucha world by storm.

IWRG 3/14 Los Traumas vs. Oficial 911 y Fierro This wasn't as balls out awesome as it could've been, but what a crowd. Dhani Jones draws? The most noteworthy/amusing thing about this match was when Trauma II was getting worked over in the ropes. The action switched to Trauma I on the outside, and when Terry panned back to II, the mask was there but the body was missing. Having read a bunch of old Doom Patrols recently it was kind of surreal to see a mask just swinging from the ropes. Black Terry, Dr. Cerebro y Chico Che vs. Gringo Loco, El Hijo del Diablo y Avisman God, this was awesome. MOTYC for sure. Recently, I've been wondering why the Cerebros have been so tame in this feud, just letting the Gringo Locos pussy whip them in every match, but the Cerebros fought back in this match and there was hell to pay. Hell, hell up in Naucalpan. Black Terry was sublime in this match. Quite possibly one of the best performances I've seen him give. Last week, he was the angry victim. This week he was mad as hell and not going to take it. The slow burn on this was masterful, and when he finally decided to dish out some hell to Avisman it was fantastic since Avisman has the perfect face for begging off. The crowd were totally into Terry raising hell, digging every bit of stooging and every piece of payback. I wonder what the walk-up gate was like on this show. It was as though everyone who goes to Arena Naucalpan in the course of a month all decided to show up on the same night. Hell, I wouldn't be surprised if some of these people hadn't been to an IWRG show for five years. The Black Terry fans were there in full force and they were loving it. Everyone was loving this. And in the middle of it all was Black Terry Jr., chronicling all of the chaos like a war correspondent. Give this man a Pulitzer! Perhaps the best thing about this match was the Chico Che chant in the third caida. Fuck yeah. For those of you who are unfamiliar with Chico Che, he's a fatboy IWRG worker who wears a t-shirt and overalls and works a tribute gimmick to the famous Mexican musician Chico Che. He's fucking awesome and deserves his own spinoff show. The crowd wanted Che and he didn't disappoint. Cerebro was also great in this. His schtick with the refs was some of the best ref schtick I've seen in a while and led to a great finish. IWRG has dramatically improved the finishes this year and there's money in this feud yet. I dunno how they're going to top this with their Super Libre match, but I hope some of these folks come back to see it.

I kinda dig idle Navarro, but I agree that it was a match where he wasn't going to be taken down much. Is it me or is El Hijo del Signo invisible in every match?