WingedEagle

No question that familiarity enhances viewing and is important with any serial, but I do not equate familiarity with watching a ton of something at once. If that's required to appreciate WWE, AJPW or any other program then I'd contend the people behind creative are doing a poor job.

I think this is at least partially a function of deference to the wrestling canon. If one removes the widely accepted hardcore fan notion of the artistic genius and depth of AJPW from the equation, it is very difficult for me to see any reason why Kawada and Misawa would care about something like "learned psychology" more than Cesaro and Kofi Kingston. I suppose you could make the argument that truly great wrestlers will sort of innately gravitate toward those sort of more subtly intelligent ways of working, but I think that's more of a stretch. To my eyes there are really two different arguments at play in this thread. One is a sort of denial-ism and seems to be led by Parv. Here the argument seems to be that much of what hardcore fans see as "learned psychology" is just an exercise in narrative creation on the part of the viewer. I think there is some truth to that, but much less truth to it than I would have believed as recently as two years ago. There are two reasons for my changed opinion on this. The first is my obsessive/immersive wrestling habits. I find that when I jump in and watch a ton of something at once I find these connective tissues more often. No doubt some of that is narrative creation, but in many cases I will see a spot from one match that is countered in a unique way in another that seems to clearly signal "you aren't going to do that to me again." In many cases it is so explicit that I think it almost defies common sense to see it as accidental, or lacking in intent. The other factor that changed my thought on this was getting to know more people in the wrestling business. I have zero interest in turning this thread into an "I'm an insider and know how things really work!" stroke fest. I'm not an insider and I don't think knowing people in the business makes me a "better fan" or some dumb horseshit like that. That said several performers I know have volunteered to me examples of things they have done in matches which explicitly played off of previous matches. This was not done in the context of a discussion on "learned psychology" and in more than one case was presented as something that they see as separating great workers from good workers. Now you might think that take is bullshit, and you might think it points to a less authentic way of performing (I'm sort of anticipating potential arguments from Parv here), but the theme of "learned psychology" as a deliberate practice among people I know is too consistent for me to be a denier, particularly as it pertains to modern wrestling. The second position - or the Loss position if I may - seems to be that even if "learned psychology" is a common trait of certain modern WWE performers, it's not really psychology in the traditional pro wrestling sense because it isn't catered to the correct target audience. I assume he would take any performer who engages in this practice in the WWE as being self humoring at worst, or playing to the wrong crowd for the wrong reasons at best. The deeper argument seems to be that psychology is largely about controlling the crowd, and this sort of inside baseball is ultimately ineffective at doing that. In that sense it seems to be a variant of denial-ism which argues that "learned psychology" cannot be real psychology in the WWE because of who their target audience is. I admit that I reject this argument in part because I see it as the Bush v. Gore of pro wrestling critical debate. While I am of course a believer that different crowds want different things, I am deeply suspicious of the idea that only WWE crowds are incapable of grasping these things, and thus "learned psychology" is not real psychology solely in the confines of the WWE. It is possible that this is a leap I've made and Loss is not actually arguing this, but it seems to be strongly implied if nothing else so I don't feel wrong questioning it. Here I would argue that A. I don't think the target audience is exclusively 8 year olds and B. Even if it is, true immersive/obsessive viewing of the product (which is unquestionably what the WWE wants) is going to result in people catching many of these things even if they are 8 years old or even younger. To the first point, while there is no doubt a struggle between Vince's vision and the vision of others, I don't see much evidence that Vince sees his core audience as young children. I think it is absolutely fair to say he wants to hook people as children and maintain them as lifelong fans, but he is not in the business of promoting a live action Spongebob Squarepants. He is very aware of the fact that he has adult fans, and I think his product is generally presented in an attempt to appeal to many audiences. Beyond that it seems obvious to me that being a good worker has never meant more than it means now when it comes to being pushed as a core attraction, and the WWE's own strategy seems to indicate that they understand that online/hardcore fans represent a substantial portion of their fanbase. To the second point even if Vince were promoting a product explicitly targeted to third graders, I don't think it means that working matches that play off other matches would the wrong move. In fact I think that working matches for an audience that is likely to be more obsessive in their viewing habits (as children seem to be from my own experience as a parent) is actually quite smart, especially when it comes to someone working within the context of a weekly television product. I know from my brothers that they seemed to pick out these things when they were younger and I don't think they were exceptions. I can also recall occasions sitting next to kids at wrestling shows where they had to explain to their disinterested parents why a certain move was attempted and failed and why it was significant. All of this suggests to me that this isn't over the head of 8 year olds by it's very nature whether they are the core audience or not. The fact is that Cesaro was one of the two or three most over guys on the entire roster when he went out with injury. I think there are valid arguments about whether or not he could be a top guy, but he was over. Christian was the ace of a lame duck brand, and his long title matches seemed to be worked specifically to get the crowd very invested in him and his work. He remained over despite being booked in a position that was ultimately destined to fail. Were these guys over because of their use of "learned psychology" (which I annoyingly keep putting in quotes)? That seems a stretch. But the point is that they weren't drawing critics when they were using it. So at worst those traits were embedded Easter Eggs for fans who were paying attention in performances that were connecting on a broader level. And to that end I think the critique of it fails. At the end of the day I think the real divide here is between those who immerse themselves in a product and those who watch less consistently and/or cherry pick. I don't think this is restricted to this debate either. I think similar things can be said about those who don't "get" lucha, or myself as it pertained to Joshi before I decided to just dive right in. I may write about this more later, but one of the things I've learned about myself through this project is that immersion is really critical to understanding certain aspects of various wrestling products. Would be very interested to hear more on the bolded paragraph. If this psychology requires watching a ton of something at once is it realistic to expect even a significant portion of the paying audience to pick up on it? In WWE, is that possible on top of all the commentary and noise that is often explicitly geared to take your attention away from the actual in-ring? If the point is that it requires studious, obsessive viewing then that seems to collapse the entire point.

I don't want to be the cranky old guy, but there is absolute validity to an absence of stickiness today. Its very easy for things to get lost in the shuffle of a 3+ hour Raw that is followed by a 2 hour Smackdown and a 3 hour PPV and and a 3 hour ROH show and an Arena Mexico show and then another Raw followed by a 60 minute NXT and then a 2 hour Takeover and then a 3+ hour Raw and 4 pages of discussion on some, and sometimes all, of these things, at least in these parts. Yes, that sentence went 26.2 miles for a purpose. Its why the opportunity is there for a Reigns/Lesnar to stand out because its in the spotlight position at Wrestlemania, or for a match with a build of more than a few haphazard quarters hours to stand out in our minds for more than a couple days. I think its a disadvantage for the current product as the burden to become memorable is that much greater. This isn't to comment -- at all -- on the quality of today versus yesteryear, but there was much more room for things to breather in prior eras.

Barring a spectacular turn of events mine will be coming on Mania day.

Highly inappropriate to bring up Nickelback here unless its specifically for the purposes of denigrating a Canadian wrestler.

Not defending the current state of creative, but the injury situation is pretty devastating for Mania season. I hope they examine whether its a whole lot of fluky injuries or a result of training/style because you do not want a repeat of this.

Anyone read Big Gold?

If the news doesn't make me break the TV, wrestling sure isn't. But it can be muted or left alone while I check on business elsewhere around the house. Much like if the Jets don't resign Fitz and actually trot out Geno again this year I'll spend Sundays on Red Zone or the other games. TV must live!

If the 'Birds come out and tar & feather New Day I'll give up the Network and commit to buying every show on PPV forever.

That's pretty much where I am as well. Not sure how many other wrestlers were more fun to watch, and if I can find room for some people who didn't have the advantage of working classic main events he's right at the top of the list. Best thing I can say about Muraco is that when I was growing up and watching with my babysitter, she said we had to like him because at that time he was with Superstar Graham. As always she was right. About Graham.

Been watching a bunch of WCW on the Network lately, and I really want to include Goldberg. The matches aren't great, but they are great fun. Based on the criteria that have been guiding my thinking he doesn't stand a chance, but there's always the exception to prove the rule. Or some nonsense like that.

I firmly believe New Day's issues are unrelated to generation or type but simply a matter of taste. I watch sports nonstop in addition to wrestling. My favorite author is Robert Caro. My favorite movies are Devil Wears Prada, Bad Boys 2 and Some Like It Hot. Taylor Swift belongs on the $10 bill. Ric Flair is the greatest wrestler who ever lived. Unless its Kenta Kobashi. And the New Day need to be off my TV.

I also dig trashier Liz. I've got a wife at home and prefer to see something different when browsing, even if I can only look

This is all fair and probably accurate with respect to many voters, regardless of whether it is for Tim. Personally, there's no question that setting and all that goes into it -- build, booking, placement and other factors -- can help a match tremendously. That may be because of the time and leeway they're given, it may be because of the crowd reaction coming into the match that the can work with, or a host of other factors. But it definitely puts the random encounter at a disadvantage. These circumstances are by no means fatal and can certainly be overcome, even if it is a disadvantage. In some rare instances its probably a plus as the match that's delivered absolutely demolishes expectations. But such is booking and the ups and downs of the business, right? Will add more to it later as right now I'm spending my wrestling time simply watching, but I'm very much a great match guy. If you have a ton of great matches you're going to do well on my rankings. If we could evaluate everyone with the same advantages in time, booking, card placement, tricks, etc. we could get closer to a level playing field, but there are still a number of what ifs that would come into play at that point. Just not sure there's a way to overcome that.

They're an easy 10 minutes to go do something else. Count on it every week.

Very much under the radar in '92 and '93 with some standout singles matches during that time, as well as playing a vital role in a ton of tags. He'll definitely be the highest person I rate from New Japan.

Originally someone I could sit on until next time because of the length of his career, Okada is now a lock for my list. Just working from his NJ reentry in '12 until today, that is 4+ years filled with a metric ton of matches I rate very highly. As much as I appreciate the perspective that is afforded by looking back at people who are either retired or well past their glory years, at the end of the day Okada very likely has more great matches on tape, already, than a number names I'll rank much higher. That's not their fault and simply a function of availability, but I'm not about to penalize him for it. Rise of the moderns!

A Reigns heel turn on Taker giving Shane the win would be interesting. Along with probably many other scenarios they could but are unlikely to roll with.

I'd go suit with no tie and make sure you have a water bottle to spit from when you walk down the aisle. Or maybe suit plus Iron Fist tee in case some folks are dense.

Currently slotted in at #5.

Not about to get into discussing the merits of this versus All Japan as while I have strong opinions, I fully admit I'm in the bag for Baba's boys. There's a reason 3 will be in my top 10 and a 4th not much lower, if at all. The Chono G1 was very similar though in that it didn't waste 6-8 minutes or more with aimless matwork that went nowhere. I just don't find Hase & especially Chono at the same level as those who would've done it for Mr. Baba. What Parv's review and thoughts did make me think about though is just how I'd weigh Hase vs. Hashimoto. I'd have to look back on and think about the volume and depth of Hashimoto's top matches, but do find it interesting that on just about every occasion I walk away from a Hase match thinking it exceeded my expectations whereas with Hash almost the exact opposite is true, save perhaps for some of the early Ogawa stuff. Just don't see him as a peer of the elites from that era.

It seems simple to me: Hase wants to win a wrestling match, and he wants to do that by hurting his opponent enough to pin him. And with the piledriver he hurt Chono's neck which has a history of being injured since he injured it in September of 1992 after taking a piledriver from Austin. And so where is it going? Basic psychology. Just ABC logic, follow up hurt neck with ... Move that targets neck. And then another one. And then another. Aimless my arse. Forgive the rant, but I'm not having that. And why does it need to go so long? Chono is meant to be a world class wrestler so he's going to take some putting away. I struggle to understand that post by Ackerman, and was absolutely shocked to read that someone wrote that about THIS match. Hase is also NOT repetitive in this match. He pulls out tons of moves you don't typically see him do. He even did the Bossman jump onto the second rope. Chono has much more time on top in this match and I dug his assault on Hase's injured ankle, although the weird goat noises he made throughout are ... Weird and pretty annoying. But sound psychology again, series of leg holds, shinbreaker. It's very solid stuff, although I will note that Chono's execution was sloppy on occasion both here and in the last match. Hase continues to sell that leg during his next offensive portion. And goes right back to that neck with a German before things get more back and forth. It's neck vs. ankle. And this is extenuated when Hase throws his boot off. Hase switches up a bit to work Chono's legs too with a great figure four on the outside. Loved the two of them kicking out each others' legs, and I thought Hase was phenomenal in selling the pain of the injured ankle on the kick, his screams of pain in the figure-four after it were pretty awesome too. Why don't people like Hase more? I don't get it; the dude was just brilliant at pro wrestling. Finishing stretch and near falls were hot as hell and very exciting. Hase still kept selling that leg too. And I popped for the kick out on the bridging Northern lights suplex. And then the work on the neck AND on the legs is paid off with an upside down STF thing in a totally PERFECT pay off that had been built to since literally minute one of the match. This match seems like a real lost classic to me. Just such perfect psychology throughout, consistently excellent work in my book here. And I was surprised not to see higher ratings in the yearbook, because this is a fucking GREAT match. I'd say it is better than matches I have at 4.75 like Arn Anderson vs. Barry Windham from 92 or the Rick Rude vs. Ricky Steamboat from Superbrawl 2. 4-stars, honestly, is low-balling it. Aside from some slight execution issues with Chono -- and we give Taue or Tenryu a pass for that in many a five-star affair -- I cannot think of single issue I have with this match. It is perfectly told, the psychology is perfect, and the match builds to a crescendo that then pays off that psychology in the most logical manner possible. Best Hase match I've seen, best Chono match I've seen. I encourage people to re-watch and re-evaluate because this is just phenomenal stuff here in my book. I'd probably rank this in my top 20 matches of all time, maybe just behind Jumbo vs. Misawa 9/1/90. I can't see what it is losing any stars over at all, and would love someone to explain why this is not a five star match. For me, it is. ***** So of course I fell off adding my notes to everything on the '93 Yearbook about halfway through the year (note to self: get back on it), but wanted to add that this match is just so incredibly under the radar. My brief notes from originally watching the match way back when: This was amazing and I thought clearly ahead of the Muto match in '91 or Rude in '92 as Chono's career outing. You never hear much about '93 as an all-timer but this is up there with some of the best G1 matches ever. No whole hog, 5 star love here as its still Masa Chono and despite the tremendous psychology and layout he's not someone who can build a match like the All Japan boys or put together the kind of finishing run I look for in a match that I'd put on my list of all-timers. But I did think this was the best match of 1993 taking place outside of All Japan or All Japan Women.

I've got zero issue with the idea of Akiyama as a top tier candidate. Its a completely plausible one that doesn't exactly require digging through obscurity to reach if you're that high on him throughout the entire course of his career. The standout performances are well known during much of the run as is the depth. Because of when he rose to his position I don't think he's part of anywhere near the number of classics as the rest of the AJ crew. That's simply a function of timing rather than anything he did wrong, but I think his list is a lot shorter. In NOAH and beyond, you've got the depth and the long run once again, but I didn't find him someone churning out MOTYC's regularly. If you were blown away by what he was doing upon returning to All Japan then that stuff can pretty easily assist making an elite case for him, but your mileage may vary there. Really comes down to how you see that material.

I think they do a great job of following a specific timeline with their wrestler comps and they don't duplicate, so really would be finding your personal faves there. Their Year One - Five series is a nice time capsule. Thanks, will check those out and hopefully find they have a lot I need. If I recall there's also a Danielson set or 2 that would be good to have on the big screen.

I'm not suggesting there is distortion or unfair criticism. But I do think when you became a fan has a lot to do with how you view Akiyama. I may be wrong but I see the trends out there and it seems to point to something. That said, when speaking of "thresholds" I'm not sure how many guys who have as many consensus great matches with as many different people and a run of being very good at minimum for as long as Akiyama does who aren't seen as number one contenders, let alone top ten contenders. What's interesting to me about Akiyama is that no one really seems to reject the particulars (for example I might disagree with Michaels particulars, some with the lucha standouts, et.). I just think there are some fans who don't instinctively see him/feel him as being at that level because of how his career narrative has unfolded. What's the problem with his career narrative? I can't speak for the masses, either at PWO or among those who have watched much AJPW or NOAH, but at no point in his career did I ever see him at the level of Misawa, Kobashi, Kawada, Taue or Jumbo. An absolutely phenomenal wrestler who would've been the best thing going in New Japan and many other places, but yeah, he happened to fall into a universe that prominently featured a handful of what I consider to be the greater professional wrestlers to have ever lived. That doesn't demean his output whatsoever, but its a pretty high standard to meet. Scottie Pippen was damn good, but he wasn't Jordan.