Matt D

Jimmy in Memphis is wildly different than Jimmy anywhere else, but even then, the theme input in WCW (Self High Five made DDP as much as the Diamond Cutter) and awesome running of WCW SN towards the end just should add to his accolades.

Well, because they weren't a unit for 1. Not in a kayfabe sense, sure, but in a functional sense.

If they can induct tag teams, why can't they induct the "Three Wise Men of the East" as a unit.

Vince's attitude REALLY comes through in the testimony. It's very black and white.

I think the Rey thing can't be denied. Orton's booked way higher on the card than Rey, but SD tanked after Rey left. I suppose there is the Edge factor as well to think about, though. The SD that Edge was advertised for didn't pop a number, right?

People being the general TV Audience?

Granted, I'm mostly going off of secondary information as I wasn't watching much then, but it SEEMS like Khali and Umaga were both built to some similar degree, no?

Meltz on Henry/Show: " "The two had about as good a big man's match as you're going to have."

Yeah but Punk jobbing wasn't a big deal because he had Miz up for the G2S and that was the debut of "Little Jimmy's Finale" so it was a big visual moment (the way the Miz slipped the full nelson on so smoothly out of the fireman's carry helped). And thanks Tom. I was wondering what it was past the booking.

Tom, Excuse my ignorance but as no one is just a giant fucking draw magically, what elements do you think made Mistico a giant fucking draw?

I could see Dixie being delusional and thinking some of the stuff that is out really wasn't?

In the old WWF, guys were married to each other for 6 months+. It was the same house show pairing night after night after night. The big appeal of the Rumble in my mind was to see guys who don't usually interact, interact with one another. Even in Battle Royales, you wouldn't see it as much because guys could just square off against who they were paired with. The staggered entry of the Rumble made things a little more open. It's not as big of an issue now.

I think my main problem is that I've been watching SO much 80 Memphis, 85 NWA (though the Saturday Night crowd had some bad elements even then) and 85 Mid-South... somewhere around 10 shows a week in total, that watching a 2011 studio audience is soul crushing. The fact that Husky is over with them in what seems to be a mostly earnest, non-ironic way is a HUGE testament to him.

If we're judging this on FCW, can we go with Husky Harris. He's been on fire there lately (and seems just about the only guy honestly over with the irritating crowd).

It was weird because in the radio interviews last week, it didn't sound like Hogan had all that much creative power.

Can you have a Ric Flair without an NWA? 2007 John Cena World Wrestling Entertainment 2008 Chris Jericho World Wrestling Entertainment 2009 Chris Jericho World Wrestling Entertainment 2010 John Cena World Wrestling Entertainment i think Punk deserves it as much as Jericho did for those years, and in 2010, wouldn't it have been more the Hulk Hogan Award than the Ric Flair one?

Well isn't a lot of that issue because no one's drawing? On some level, I don't care if people are drawing or not so long as I like what they're doing in the ring and on the mic. I mean I'm not going to get depressed over the fact that I can't pick someone who'd fit into that role. Christian's had a great year. Not as good as his 09, sure but still really solid. Hell, Orton's had a great year too. And Mark Henry! Absolutely. But Smackdown's not drawing at all.

Do we count Punk as a draw in that he bolstered a C-Level PPV to a higher rate than it would have been otherwise? I'd love to say Christian but SD wasn't exactly drawing. Could, hypothetically, the RnR count as Wrestler of the year in 84 Mid South because even though they weren't booked "on top" necessarily, not in the main vents, they still popped the territory?

can hogan even physically lay down now? I think he might be a Ding Dong/hunchback now.

I really feel like Vince has gone out of his way to make sure no one's over in their home town ever since.

I picture Vince yelling at grey-haired Billy Kidman, who had been looking at his watch carefully, asking him who the hell Rob Naylor is and Kidman shrugging and doing his Al Wilson impression which Vince somehow loves.

I guess it's silly at this point but what are some examples of Flair matches with great storytelling throughout/smart working? Not because I think they don't exist, but because there's a lot of stuff I still haven't seen and I'd like to see it. The best I can think of off the top of my head are some Flair vs underdog matches where he underestimates the young lion babyface, who gets some offense until flair gets mad.

I just love the idea of someone trying to explain Rob Naylor to Vince.

That seems like something that should have been in Bret's book considering how amazingly detailed it was, but I honestly don't remember.

This place is an Asterisk. Or the opposition backbenchers.