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elliott

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Everything posted by elliott

  1. I'm sure some folks from the PWO2K project have some thoughts on this and I'd be interested to see what they come up with. Some decent "usual suspects" candidates like Misawa, Akiyama or Kawada. But I'm sure there are going to be some candidates from CMLL (Satanico, Atlantis, Villano?), BattlARTS (Usual Suspects) and maybe elsewhere? Tajiri? Who else? I know there are some Steve Corino matches I really like from 2000. No one say HHH
  2. 1988 Dusty Rhodes edit: Superkix is up
  3. Whatever he's planning, Jake and Hansen are a great foundation. I'm assuming they're his lead heels. Inarguably, definitely great heels... but a little bit strange as the first choices for a promotion based in Mexico City. To give a hint in one word: Colonialism.
  4. When we did the 1995 draft, whenever someone picked, they would include in the post whoever else was next up. That seemed like a pretty good system.
  5. I'll be quick. My first two picks are amazing.
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  8. Thanks so much for adding me to the list! Definitely going to go Mexico City! Awesome!
  9. Oh well I don't want you to go to any extra trouble. I'll enjoy from the sidelines. Solar and Super Astro better end up on the Moon!
  10. I've been traveling and only just saw this. Would love to jump in if it isn't too late. But is anyone thinking about Mexico? I'm interested in joining up, but I'm not sure it makes sense if I was just drafting the luchadores against myself.
  11. It has been way too long since I've watched or thought about Marc Mero on any level to be able to comfortably speak to this. I could be more easily convinced to watch a Johnny B Badd match than a Kurt Angle match, although I'd be surprised if Badd has a year I like as much as Angle's 2001. Rick Steiner easily. His lows may be lower, but peak Steiner brothers are an interesting and memorable tag team and Chavo is neither interesting nor memorable. I prefer Kerry but i can understand someone picking Jeff. I think they actually have a lot of similarities besides the obvious personal problems. They are both supremely charismatic babyfaces who forged a special connection with fans. Perhaps the fact that Jeff Hardy managed to do this while being a mid card act should be given more weight, but there's nothing quite like peak Kerry in Texas Heat. Jeff probably has a longer run as a very good-great wrestler, but I think Kerry's peak was higher. The Hardy's were an awesome tag team at their peak, but I'm a huge Von Erich's fan and would probably rate their feuds with Freebirds and Dynamic Duo higher than any Hardy's feud. As singles wrestlers, I would take Kerry by a mile. I think Jeff was very good-great in the big singles matches of his I've watched. But Kerry at his peak was amazing and hit a level I've never seen out of Jeff. This is an interesting one because in many ways it is a "memorable character wrestler" going up against a "memorable match quality wrestler." I would take Rick Rude both as a character and in ring performer. Joe is a guy that never connected with me. There are a few matches I really love and I think his top two or three matches are probably better than the best Rude matches. But I find Rude more compelling on average (even acknowledging his chinlockery) and his 92 run is awesome. Rude consistently sold the ribs while attempting the hip swivel. That's the best thing ever.
  12. I think this is interesting. I agree about Fujiwara having the advantage in versatility and variety. But Tamura is an interesting comparison to Han when thinking about versatility and variety. On the surface, you could make an easy argument for Tamura just based on the nature of their careers. Tamura worked in UWFi which was more pro-style in nature than RINGS and Han only worked the one company. Tamura had a wider variety of opponents because of this and his career narrative was different. We saw him develop from Young Boy to Rising Star to Star. Volk Han was a main eventer from day one till the end. I haven't explored this theory in depth at all, but maybe the very nature of Volk Han gives him a built in advantage for in-ring variety as compared to the more classical shoot style workers. I wrote this about Tamrua in response to the "Is he Innovative Gordy List" Question: "Sort of. Tamura, along with Volk Han, really pushed the boundaries of what was capable not only just in shoot style but in a wrestling ring. Tamura seems innovative because of his speed, athleticism and technique and the fact that when you combined all of this nobody could do what he was capable of in the ring. However, I don’t really view him as innovative in the way that Volk Han was. If Fujiwara & Takada are Buddy Rogers & Ray Stevens, then Tamura was Ric Flair taking their ideas and pushing them as far as possible. I see Tamura as a worker in the tradition of the shoot style founding fathers. Volk Han to me, was the more innovative wrestler within the niche of shootstyle. Outside of quality of work, I don’t see much difference between Tamura, Takada, Yamazaki, Kohsaka and Yamamoto. Volk Han was certainly more unique character." In the realm of shoot style, Volk Han himself was almost the definition of variety. If that makes sense. I'd consider Han a stronger candidate just based on the fact that he walked into RINGS as a main eventer and was the top gaijin in the history of the promotion, in addition to being a working maestro from day 1. I put less emphasis on work than most do when it comes to the HOF. I actually think Tamura was the best worker in the world from 1994-1999 and again in 2004 which would make him a no-brainer HOFer for most normal people I do also think Tamura has a more complete career arc/narrative that makes him easier to get a handle on than someone like Han who just appeared as someone who was amazing and on top and just stayed that way in a mid-level to upper mid-level promotion that is still kinda underexplored by many. Also, there is definitely something to Tamura bridging the gap to someone who doesn't like shootstyle. You're not alone in that.
  13. Since it got buried on the last page among Fujiwara talk, I reposted my Gordy LIst for Tamura here: http://prowrestlingonly.com/index.php?/topic/39734-won-hof-2017/?p=5817637 and I would love to see who people view as a stronger candidate between Tamura, Volk Han and Fujiwara.
  14. To my knowledge, Fujiwara at the time wasn't viewed as anything special. You have to remember a lot of the praised workers at the time from Meltzer were the more fast paced action oriented guys. Fujiwara wasn't a guy known for flashy highspots so he wasn't going to grab the attention of someone like Meltzer or Bowdren or whatever other opinion maker at the time you want to consider. He is truly a revisionist candidate built up by work. He isn't someone you can't really point to as a major draw, but it is super easy to craft an influence argument for him as one of the shoot style founding fathers. I think it is awesome that he is someone who went from being on no one's radar to a strongish HOF candidate for people who have gone back and looked at him. However, I don't expect him to ever have a realistic shot of getting in considering the guy running the show is someone who rejects the idea of revisiting old matches. I couldn't craft an argument for him as a drawing card. However, looking at how he was presented and how the crowd reacted to him, he was clearly a key figure in the UWF vs New Japan feud and treated as a real player by the fans. His influence as a trainer is something to definitely add to his case. There is at least one guy in the HOF for training who never trained anyone who went on to become as good as Fujiwara's guys (I'm looking at you, Stu Hart). I view Fujiwara as primarily a work candidate who has other pluses to his candidacy. He's almost the reality of Ultimo Dragon's fake HOF candidacy. Great worker, trainer, influence. But you have to buy into the work argument. That's the strongest building block. I would recommend literally every match he had against Sayama. I think that is the most underrated feud of the 80s from an in-ring perspective. He also has classic matches against Maeda, Yamazaki, Takada, and Choshu in the 80s. He has maybe the best Inoki match I've ever seen from 1986. He excels in multi man matches with a shit ton of other great & charismatic worker. To the point where he is often one of the two or three standout performers in those classic New Japan 10 mans. I've recently called Tamura my pick for the best Japanese wrestler ever, but the more I think about it, the more I lean towards Fujiwara being the guy. He's a guy who peaked as high as anyone else as a performer and never really had a stretch of being bad or uninteresting. He has enough other stuff (influence, training) that I'd consider him. Comparing him to the guys Farmer mentioned: Hamaguchi, Kobayashi, Kimura and Yatsu is mean to those other wrestlers. I like all of those guys, but I do view it on some level like saying "What sets Nick Bockwinkel apart from Eddie Gilbert?" In addition to having a higher peak, Fujiwara has all of those guys on longevity as a great/interesting worker, variety of opponents or styles, consistency, great matches, nuts and bolts (selling, mat work, psychology) etc. Whatever metric.
  15. I was super surprised to see Kiyoshi Tamura was Meltzer's last cut on his ballot. Here's the Gordy List I wrote for Tamura last year. I made a very few edits here and there for clarity. Gordy List: Kiyoshi Tamura 1.Was he ever regarded as the best draw in the world? Was he ever regarded as the best draw in his country or his promotion? He was never regarded as the best draw in the world or in his country. He was never the biggest draw in UWFi. He would likely be considered the biggest draw in RINGS in 1998 and 1999. However, of the 4 biggest shows in RINGS in 1998 and 1999, Akira Maeda was in the main event of 3 of them. The 4th was Tamura vs Mikhail Illioukhine only managing to sell 9,200 tickets to a Budokan Hall main event, a building that holds 16,000+. Calling Tamura the “best draw in RINGS” is akin to calling Curt Hennig the best draw in 1987 AWA or Sting in early 90s WCW. RINGS wasn’t that bad as far as drawing, but the numbers were down from the glory days, and there were a lot of cards where they could only fill roughly half of mid-sized buildings. Plus, in the case of the Tamura/Sting comparison, the period immediately following their time period as ace saw the company’s attendance increase after a shift in direction (WCW went to Hogan, RINGS went to Shoots). This isn’t a perfect comparison. RINGS tickets were much more expensive than late 80s AWA or early 90s WCW and was promoted as a more “High Brow” form of entertainment catering to a wealthier fan base. However, I use that comparison more to illustrate that Tamura’s time on top of RINGS came during the company’s low point. 2. Was he an international draw, national draw and/or regional draw? No, no and no. Based on the evidence we have, I think it is fair to say that Tamura is not someone who moved noticeably moved the needle from a financial point of view. 3. How many years did he have as a top draw? No years as a top draw. 4. Was he ever regarded as the best worker in the world? Was he ever regarded as the best worker in his country or in his promotion? Regarded is the key word here. Since the late 90s, Tamura has generally been pointed to as the best wrestler in the world during 1998 and 1999. It is possible 1997 would be included in this, but All Japan was still highly regarded in 1997 as were juniors like Liger, Ohtani, Guerrero, Rey Jr and Benoit. However, I think it is fair to say that Tamura has generally been considered the best wrestler in the world in 98 and 99 by folks who watched a lot of wrestling from all over the world. 1998 and 1999 were interesting years in the wrestling business as All Japan was falling apart, people stopped giving a shit about New Japan Juniors, M-Pro died, AJW died, UWFi died, WCW and WWE were at their lowpoint as far as in ring work, this is pre-indy boom, and lucha guys have never really been able to get any sort of traction as “best in the world” because it is less watched and the booking doesn’t always lend itself to creating best in the world candidates (at least not in the way most wrestling fans view wrestling). HOWEVER, with wrestling quality falling off a cliff in the late 90s, Kiyoshi Tamura was pointed to as the guy still capable of having all time classic matches. I think it would be fair to say he was generally considered the best wrestler in Japan in 1998 and 1999 by people who watched more than just the big All Japan matches at the time. Promotion is a little tricky. Hardcore fans at the time LOVED them some Takada and most people at the time would have regarded him as the best worker in UWFi from the beginning of the promotion to the end. In RINGS, either Tamura or Volk Han was considered the best wrestler in the promotion when Tamura jumped in 6/96 through 1997. Tamura worked more than twice as many matches as Han in 1998 so I feel it would be fair to say Tamura surpassed Han officially in 1998 if he hadn’t at some point from 6/96-12/97. The most conservative point of view would likely be that Tamura was either the best or second best wrestler in his promotion from 6/96-12/99. 5. Was he ever the best worker in his class (sex or weight)? Was he ever one of the top workers in his class? This is also kind of tricky. Tamura was a small guy with google telling me he’s 5’11 and 185lbs. So you’d think to classify him as a junior heavyweight. It’s weird to think of him as a junior heavyweight. If you classify him that way his peers would be Liger, Eddy, Benoit, Rey, etc. And you really wouldn’t call him the best worker in his class until that late 90s period. It would also be hard to place him as a “top worker” (defined as a top 10 worker) in his class if you consider him a “junior” and are comparing him to the Ligers and Reys of the world. Those wrestlers were way more visible and talked about than Tamura. I’d feel more comfortable defining his class as “shoot style.” That makes more sense to me than saying he’s better than El Samurai or Hayabusa. If we define his class as “shoot style” then he would have been considered at worst the 2nd best in the style as early as 6/96 when he jumped to RINGS and the best from 1/98-12/99. In terms of being a “top worker” in the class, it gets a little trickier because of how these guys were “regarded.” Takada would have been “regarded” as better from the moment Tamura debuted until Tamura left for RINGS and Takada started doing Pride stuff. Volk Han would have been regarded as better from the moment Han debuted in 12/91 until at least 6/96 and probably further into 1997. Kazuo Yamazaki is tough because he’s among the most underappreciated wrestlers in history. My gut feeling is that people at the time would have considered him better than Tamura until at least 1994 or 95. Maybe jdw can shed some light on how Yamazaki was regarded at the time period vs Tamura. From there it gets tricky. Fujiwara love is not only revisionist and niche. I don’t know what to do about the Pancrase guys like Suzuki or Funaki. Guys like Yoji Anjoh and Naoki Sano were great workers but even more under the radar than Yamazaki. I can’t imagine Kakihara getting a bunch of love if Tamura wasn’t getting it. Trying to be conservative, I think Tamura was probably considered a top 10 shoot stylist no later than 1994 and remained that way until the end of the decade. 6. How many years did he have as a top worker? Worldwide covering all styles, he is generally considered a top worker (as defined as top 10) from 1997-1999. As a top worker in his class (shoot style) probably from 1994-1999. 7. Was he a good worker before his prime? Was he a good worker after his prime? I think most people would point to RINGS era Tamura as his “prime years.” Assuming that, Tamura was an excellent worker before his prime. He showed a lot of potential in his very first match in 1989 and was having legit great matches before he even had 15 matches to his name. Post prime would have to be considered “U-Style” for reasons that are pretty silly to me, but anyway because of that I would say he was absolutely an excellent worker after his prime. When he stopped doing shoots and formed U-Style he looked every bit as good as he was in RINGS in the late 90s so I’d almost be tempted to call U-Style part of his prime. But I get why it would have to be considered post prime. 8. Did he have a large body of excellent matches? Did he have a excellent matches against a variety of opponents? This is where it gets kind of batshit insane. Because of the nature of shoot style only working around a show a month, Tamura has barely over 100 matches in his career from 1989-1999 plus 2003-2004. But in spite of that he has a pretty staggering amount of excellent matches. At a minimum he had excellent matches against: Yoji Anjoh (multiple), Masahito Kakihara (multiple), Kazuo Yamazaki (multiple), Volk Han (multiple), Tsyuoshi Kohsaka (multiple), Yoshihisa Yamamoto (multiple), Naoki Sano (multiple), Nobuhiko Takada, Vader, Gary Albright, Nikolai Zouev, Bitsadze Tariel, Mikahil Ilioukhine, Wataru Sakata, Hiroyuki Ito, Dokonjonosuke Mishima, and Josh Barnett. And that’s not even it! I’m leaving off more “controversial” great matches like multiples against Yuko Miyato, Dick Leon-Vrij, Willie Peeters, and Alexander Otsuka that others probably aren’t going to be as high on as I am. I’m also ignoring tags which would include dudes like Tom Burton, Mark Fleming, Mark Silver, Steve Nelson, and Yoshihiro Takayama. So not only does Tamura have a shit ton of great matches in a very niche/narrow style, he managed to do it against a wide variety of opponents with varying degrees of skill over a 15 year time period. 9. Did he ever anchor his promotion(s)? He anchored post Maeda/pre shoots RINGS in 98 and 99 and he anchored U-Style. The first would be a slightly more impressive version of Sting anchoring mid 90s WCW and the 2nd would be a slightly more impressive version of Mike Quackenbush headlining Chikara if Chikara shut down after a year. 10. Was he effective when pushed at the top of cards? Yes and no. You look at something like his first main event at Budokan where he faced Takada at a sold out show in 1993 and you can say “that’s Tamura being effective.” But I’m not sure Tamura had much to do with that number. His ascension to the top of RINGS came at that company’s lowest point. Granted, company founder and biggest star Akira Maeda retired which is what made Tamura the ace so losing your #1 guy in history is always going to hurt, but Tamura’s drawing record at the top of the card in RINGS is not very good. When he had the opportunity to main event shows for UWFi in 1995 when the company was collapsing, there were a number of “this is the lowest attendance figure UWFi has ever had in this building.” There are some sporadic instances in RINGS where Tamura was on a show that did better than they had done in the building in years. But they were few and far between . U-Style he was pushed to the top because it was his vanity promotion. They mostly ran Korakuen Hall and other small buildings so its hard to say he was an effective draw at the top of the cards for such a small promotion. I’m not sure it matters as part of a HOF case. Now, as a worker, yes. Tamura was effective when pushed to the top of the cards. He could always been counted on to bust his ass and put on the best performances that he could. From an artistic standpoint, he was a blow away success but from a financial standpoint, he wasn’t ever really effective. I get that anyone voting for Tamura is probably going to take shootfighting into account for his career. Perhaps someone could talk about that as I’m not the guy for it. But I’ve never been under the impression that Tamura was a massive draw in MMA like Sakuraba or whoever else. 11. Was he valuable to his promotion before his prime? Was he still valuable to his promotion after his prime? Tamura’s UWFi career is widely considered before he reached his prime. So, I would say, yes, he was valuable to his promotion before his prime as an up & coming super worker. He is a direct peer to Kenta Kobashi in terms of age, debut and role in the promotion. As a young worker, he was often the hardest worker in addition to being one of the top workers in the promotion able to go out and have good-great matches in any position on the card against any opponent. Tamura probably meant less to UWFi in terms of drawing than Kobashi did to All Japan, but on very few instances where Tamura was in featured matches as a young wrestler, he delivered in the ring. His “post prime” would be U-Style and he was the top star and best worker in the company for its duration so he would definitely be considered valuable to U-Style after his prime. What that means as far as a HOF case is up to the voter. 11.Did he have an impact on a number of strong promotional runs? No. Takada was the driving force behind UWFi and by the time Tamura progressed enough in his career to start getting regular-ish featured matches in UWFi, the bloom was off the rose. His time in RINGS coincided with RINGS’ lowest point in company history and in fact RINGS started to do a little better when they moved to all shoots and Tamura became a less featured player. 13. Was he involved in a number of memorable rivalries, feuds or storylines? Because of the nature of the style and promotions he worked in, Tamura really never worked storylines and he worked so few matches that there aren’t many opportunities to establish memorable feuds and rivalries. However, Tamura vs Volk Han is regarded as the best rivalry in shoot style history by many people. His rivalries with Tsyuoshi Kohsaka and Yoshihisa Yamamoto are often considered to be right on or right below the level of the Han feud. His early career rivalry against Yoji Anjoh has been completely forgotten in time but was an excellent rivalry looking back. 14. Was he effective working on the mic, working storylines or working angles? This doesn’t apply to Tamura. His most memorable “angle” was the uncooperative match against Gary Albright leading to the infamous “Break, Gary, BREAK!” moment. 15. Did he play his role(s) effectively during his career? He was a tremendous working young up and comer. He actually worked for about 2 years playing the role of a guy who didn’t wear kickpads and borderline refused to strike so he would focus entirely on grappling and submissions. I’m not sure if people would consider this a “role” but it was an interesting part of young Tamura’s career. As the Ace of U-Style he was excellent in the ring. Really any role Tamura played you’re going to see artistic excellence paired with usually disappointing financial gains. So this is sort of a catch 22 category for Tamura. In terms of working in the ring, he was great at whatever roles he was playing. 16. What titles and tournaments did he win? What was the importance of the reigns? Tamura won the 1997 RINGS World Mega Battle Tournament by beating Mikhail Ilioukhine in the tournament finals at Budokan Hall 1/21/98 in front of 9,200 fans in a tournament that included: Tamura, Ilioukhine, Maeda, Han, Andrei Kopilov, Dick Leon-Vrij, Bitsadze Tariel, Tsuyoshi Kohsaka, Hans Nyman, and Nikolai Zouev amongst others. Tamura defeated Hans Nyman, Joop Kasteel, Akira Maeda and Mikhail Ilioukhine to win the tournament. This is RINGS’ big annual tournament. Previous winners include: Chris Dolman, Akira Maeda x2, and Volk Han x2. Tamura lost the 1996 tournament final to Volk Han. The 1997 tournament also crowned not just the Mega Battle Tournament winner but crowned the first ever RINGs Openweight Title Championship. Tamura held the title until dropping it to Bitsadze Tariel on 5/29/98. Tariel would hold the title until dropping it back to Tamura a year later on 5/22/99. Tamura held the title through the transition to full shoots before losing the title to Gilbert Yvel on 4/20/00. Yvel vacated the title 5/00 when he went to Pride and it was subsequently won by Fedor Emelianenko who held the title until RINGS closed in 2/02. So Tamura was the first ever RINGS champion, but that reign was the shortest in the title’s 4 year existence, but he then won it back and held it until the shift to full shoots. Tamura’s initial win of the title was the company’s worst drawing show ever at Budokan Hall by more than 1,000 fans. In U-Style, Tamura won the U-Style tournament over the course of 3 shows (2 at Korakuen Hall) from 8/7/04-8/18/04. The promotion ran 6 total shows over the course of 4 years after the tournament so it would be hard to say it had any meaning at all. 17. Did he win many honors and awards? Someone will have to help me out with any Japanese awards and honors. But looking through mookie’s WON Awards results: 1997 – Placed 7th overall Best Technical Wrestler 1998 – Honorable Mention Readers Favorite Wrestler (One point behind Kobashi, 3 points above Rey Jr) 1998 – 3rd Place Match of the Year vs Tsuyoshi Kohsaka 6/27 1998 – 6th Place Most Outstanding Wrestler 1998 – Honorable Mention Wrestler of the Year (Behind Tsuyoshi Kohsaka which I think is very interesting) 1999 – 9th Place Worked Match of the Year vs Yoshihisa Yamamoto 6/24 1999 – 3rd Place Best Technical Wrestler 2000 – 8th Place Shoot Match of the Year vs Antonio Nogueira 10/9 2003 – 6th Place Shoot Match of the Year vs Hidehiko Yoshida 8/10 2003 – Honorable Mention Best Technical Wrestler 2006 – Ranked 63rd Overall on the Smarkschoice GWE Poll placing on 23 of 49 Ballots with 2 Top 10 Votes 2016 – Ranked 62nd Overall on the PWO GWE Poll appearing on 55 of 152 Ballots with one 2nd place vote and an overall ranking of 31.1 18. Did he get mainstream exposure due to his wrestling fame? Did he get a heavily featured by the wrestling media? I would need assistance on this. I couldn’t see him ranking in the top 20 in terms of mainstream exposure due to wrestling fame even from his own era. 19. Was he a top tag team wrestler? Tag team wrestling isn’t an important part of shoot wrestling. He participated in tag team matches in UWFi and tended to have excellent performances in tag matches. But I wouldn’t call him a top tag team wrestler due to the nature of the style and promotions he worked. 20. Was he innovative? Sort of. Tamura, along with Volk Han, really pushed the boundaries of what was capable not only just in shoot style but in a wrestling ring. Tamura seems innovative because of his speed, athleticism and technique and the fact that when you combined all of this nobody could do what he was capable of in the ring. However, I don’t really view him as innovative in the way that Volk Han was. If Fujiwara & Takada are Buddy Rogers & Ray Stevens, then Tamura was Ric Flair taking their ideas and pushing them as far as possible. I see Tamura as a worker in the tradition of the shoot style founding fathers. Volk Han to me, was the more innovative wrestler within the niche of shootstyle. Outside of quality of work, I don’t see much difference between Tamura, Takada, Yamazaki, Kohsaka and Yamamoto. Volk Han was certainly more unique character. 21. Was he influential? Not really. He was one of many people in Japanese wrestling to help turn shoot style wrestling into shoots which in my mind wasn’t just a negative to Japanese pro wrestling in general, but was a negative to Tamura’s specific case as a pro wrestling Hall of Famer in my eyes. 22. Did he make the people and workers around him better? Absolutely. Tamura was an incredible wrestler and he had the best matches in the career of Volk Han, Yamamoto, Kohsaka, and Mikhail Ilioukhine at a bare minimum with arguments for the best match in the career of Gary Albright, Yoji Anjoh, Nikolai Zouev and some dudes I’m probably forgetting because I’m getting worn out. The bottom line though was that Tamura could always be counted on to make limited workers look good and good workers look great and great workers look transcendent. 23. Did he do what was best for the promotion? Did he show a commitment to wrestling? Well, he always worked hard and tried to put on the best match he could against anybody. I don’t know much about him refusing to job or anything like that. I do know that he refused to take part in the UWFi vs New Japan feud because he didn’t want to be a fake pro wrestler like in New Japan which led to him leaving for RINGS. That’s not really doing the best thing for his promotion. UWFi was in dire straits financially at this time period and the New Jpaan feud was just life support for them anyway. However, it was a HUGELY successful feud at the time period that Tamura didn’t take part in. He really didn’t show a commitment to “Pro Wrestling” because he was quick to make the jump to shoots when that became a thing. But its hard to fault a guy for doing what he wants to do career wise. 24. Is there any reason to believe that he was better or worse than he appeared? Yes. First of all, if you are a voter inclined to consider shoots, Tamura likely comes across as a better draw. I’m not sure how much better and I know he was never close to Sakuraba’s level as a star, but he probably gets some help. So there’s that. Also, UWFi and especially RINGS tended to have very high priced tickets compared to traditional pro-wrestling shows so while the attendance numbers, especially for RINGS, aren’t very impressive, the gates tended to average higher numbers than you’d expect. I also wanted to be as fair as I possibly could in regards work related questions in the Gordy list. I wanted to try and look at the perception and ignore my personal opinions and leave them for here. I would argue that Tamura was the best Japanese wrestler of all time and was actually the best wrestler in the world as early as 1994 until the rest of the decade. I think when he came back and opened U-Style, he instantly became the best wrestler on the planet again from 03-04 until U-Style Closed. Basically I think his case is better than it appears because his strengths are MUCH stronger than I actually presented them above. Ignoring the shooting and the year he was out from Maeda breaking his face, Tamura had a 12 year career as a pro-wrestler. In my opinion, he was the best wrestler on the planet for 8 of those years. EIGHT! That’s crazy. 75% of his career he was the best guy on earth and he had less than 15 bad matches EVER and probably less than 5 bad performances ever working probably the most difficult style to master in all of wrestling. His case it worse than it appears because in addition to being basically a zero as a draw, he left wrestling in the middle of his prime to pursue other athletic interests. He left at the top of his game and had he worked a “normal” career of roughly 20 years, who knows how many classic matches he’d have? His case is worse than it appears because his biggest positives as related to “influence” are outside of the pro-wrestling sphere. And even then, is Kiyoshi Tamura one of the 25 most influential people as it relates to the rise of MMA in Japan? He’d have to be behind Inoki, Sakuraba, Takada, Pancase Guys, Gracies, Bob Sapp, Maeda, Fujiwara, Takayama, etc etc etc. His case is worse than it appears because he had roughly 100 total matches as a pro-wrestler. It is weird to think that a guy who performed less in 12 years than other guys have worked in 5 months to get in the Hall. That is a difficult idea to wrap your head around and it can be used against him (foolishly in my opinion) to downgrade his ranking as a worker/best in the world candidate. Edit: I've added in the spoilers below in his UWFi/RINGS results that I looked at last year in preparation for writing the Gordy List with analysis in case folks wanted to look at that as well.
  16. Dang I'm real excited for this! I've actually been wanting to take a look at this exact stuff recently.
  17. Sputnik Monroe making the ballot is awesome. Hopefully he gets support. Cool that Sangre Chicana is on as well, although that just adds to the madness of the Lucha region. Also, who is Ruben Juarez?
  18. I know I owe some folks some responses. I haven't forgotten, I'm in the middle of moving. I'll respond to things next week
  19. Too hipster. You wait until I release my Top 100 consisting of nothing but pre-1992 JWP and WING handhelds. I demand to see this list because it sounds awesome.
  20. Well shit, I feel like I need to rewatch it then. That's so strange because when I first heard of it it had the 9/78 date. Parv has that listed in his 5 star matches list and then I found an AJ Classics disc on Lynch's list with the same date. I'll rewatch it. It should probably be on there anyway. Its Funks vs Abby/Sheik.
  21. Man, nobody loves shoot-style more than me and even I wouldn't put two U-Style matches in the top 30 Hahaha! Well if not for you and your dang awesome comps I don't think Tamura slowed down one iota between RINGS moving to shoots and U-Style starting up. There are rather obvious reasons for that, but yeah. Dude was every bit as great in 03/04 as 97/98.
  22. "Do your hands hurt when its cold?" If nothing else, it gave us that line and I laughed for roughly half a day. I'm laughing right now thinking about it.
  23. Taking these all at once. Phil: Dick Togo retired and Yuki Ishikawa moved to Canada. Its actually very likely that something from 2010-11 BattlARTS should be on there, but I haven't watched it yet if there is. I've got the Dick Togo match and the BattlArts Elimination 6 man from 08 on there! But I'll give a real answer. I really hate to make generalizations because there are ALWAYS exceptions and usually a lot of them. But I kinda have to. The short answer would be personal footage exposure. The reason for that is that I don't think Japanese wrestling was as good in the past decade as it was before that. I have no intention of taking a giant dump on wrestling that I know some people here really love. But that's pretty much it. I've tried watching a lot of the big New Japan matches and I just have no interest. I get why it works for folks, but its not for me. And there is so much wrestling to invest time in. There are definitely exceptions. I loved that Nakamura vs Sakuraba match. That's always one I remember. There are others I know I've enjoyed but none that much and I don't think that match was good enough to make my list. There are a lot of wild Hansen, Funk, Choshu, Tenryu brawls, shoot style and 10 Man New Japan Matches. There's less 90s All Japan than you're likely to see on a list like this and most of the highly pimped Japanese wrestling from the last decade I've seen is a lost closer in style to 90s All Japan than a Terry Funk brawl or a 13 minute Kiyoshi Tamura match. So that's what going on. I'm just not that into Tanahashi, Okada, Sekimoto, or Dragon Gate. Pimp me some 2010-2011 BattlARTS and Dick Togo and I'm all over it. Matt D about Santo/Casas 91 Everyone that hasn't still needs to check out that Casas/Santo match from 91 or rewatch it if you've seen it but its been years. That match is SOOO great. I need to rewatch it keeping the rudo/tecnico divide in mind because everytime I've been kinda taken aback by the almost Regal like ferocity of the mat work in this match. Amazing match to add to the 87 & 97 classics. I'm not ready to do a top 100 Lucha matches list yet, but all 3 of them would be top 10 at worst. Stacey Or not hipster enough? Speaking of, that SummerSlam 4 Way would be like #6 on this list. Concrete There is also: 38. Yuki Ishikawa, Alexander Otsuka & Munenori Sawa vs Daisuke Ikeda, Katsumi Usuda & Super Tiger II 7/26/08 BattlARTS But I assumed Phil meant 2010-present when he said "Nothing from the past decade...?" So, yeah. But its just those 2 from the past 10 years. Peach The 94 Queendom tag is the only thing I feel comfortable calling in the same universe as Chicana/MS-1. I almost hesitate to start writing about it, because I don't want to turn this into a thesis. So I'll just say its the greatest storytelling in a match ever. Watch that shit! Parv & Peach I love Funks vs Sheik & Abby more than just about any feud in wrestling history. Its one of those feuds that just transcends wrestling and becomes a life experience in a way stuff like Misawa/Kobashi or Jumbo/Tenryu just couldn't possibly. Maybe a little bit is the blood and guts because I feel the same way about Dump/Chigusa, Hansen/FunkI and Hokuto/Kandori. But Hashimoto and Maeda hit that "bigger than life" feeling quite a lot for me without the blood. I probably could/should have put the 12/78 tag league match on towards the bottom. HOWEVER. I know Peach is talking about the 9/78 match. I have seen it. Parv sent me a YT link back during GWE and I watched it immediately and bookmarked the page. Unfortunately that particular video has since been pulled. I have searched for it a bunch of times since then but haven't found it. I even saw it listed on an episode of All Japan Classic but when I ordered the disc and watched it, it was actually the 7/79 or 12/79 match. I was super bummed, but there were still some cool ass matches on that classics disc so I got over it. So I know I've seen it. I know I fucking loved it. But I haven't been able to watch it since the first time. I've watched all of these matches, and many more, since the end of GWE and ranking shit as I go. So, if you can point me in the right direction, I'd be happy to get another Funks vs Abby/Sheik match on there
  24. Raising the stakes. Top 100 Japanese matches of all Time:
  25. My goal is for both of those things to be happening. That may not be the answer you're looking for, but it is absolutely my hope. My previous posts may not have been helpful because I keep calling the match quality section different things like "Critically Acclaimed" and "Artistic Quality." Its less about recognizing the canon and more about vetting it. The matches that make the "historical significance" bucket are going to be pretty obvious. You could probably guess most of them. There's one "revisionist" sort of match that I had never heard of before (but I will absolutely vote for now) in that bucket thanks to Steve Yohe. The "match quality" section has a few more "revisionist" sort of picks. We tried to use as many tools at our disposal in coming up with those matches including: WON MOTYs 80s Sets Results The Old DVDVR 90s Poll Lists PWO's Very Own MOTD Thread Loss' top 500 of the 90s Countdown Our own impressions of (extremely) general consensus of communities like PWO. So almost everything nominated at first is going to be part of the Canon (as much as one exists) but we tried to set things up to allow for inducting or considering matches that weren't beloved at the time. I don't think we would need a process for removing something once it was voted in. I think the 25 year gap in time as well as the discussion process will prevent that from happening. I'm open to allowing a mechanism for that somehow, but I really don't anticipate that being a problem at all.
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