ohtani's jacket

We've seen this matchup before in 2000 so we pretty much knew what to expect. This was shorter than their last title fight and lasted around 15 minutes. So instead of lying around on the mat wrenching submission holds, the picked up the pace and worked a more fluid style. That didn't always look the prettiest when they were transitioning between holds since Villano IV wasn't the most nimble guy on his feet, but they built to the finish well and the deciding fall was brisk and exciting. At times it felt like two heavyweights working more of a lightweight style but it worked out okay. It probably could have done with a bit more drama but at least the rhythm and pacing were strong. And, as always, it was a welcome spotlight for Villano IV. Possibly the least of Scorpio's title defenses this year but still good, which tells you a lot about his title reign. I'm sure his dad had a lot to do with him having the belt but he's defended it with aplomb and it's hard to think of a better championship run during this lucha season.

I thought this was all right considering that a cage match isn't the most authentic gimmick in Mexico. Yes, the brawling was meandering but no more so than any Battle Royal in history. I found it charming in a way that they didn't really know how to milk the drama out of the escape rules. Even the final pair were fumbling in the dark when it came to basic escape match tropes. But the crowd appreciated it as something different and it wasn't awful by any stretch of the imagination. I'm probably giving them a huge pass but it was more interesting than your run-of-the-mill, slowgoing IWRG trios match.

This thread being resurrected inspired me to watch the first episode. It was kind of rough around the edges in terms of production values and match layout but enjoyable nonetheless. My favorite moment was Freddie Blassie bringing his "mother" Laura to Cyndi Lauper's Mother's Day Surprise.

I love how Los Capos look like Henry Fonda's men in Once Upon A Time in the West. Different names, same bullshit from Tarzan Boy. He blew his knee out or faked blowing his knee out which forced Emilio to carry him off. That left Perro at the mercy of the Capos who beat the crap out of him in the first steps toward the Perro vs. Universo apuesta match. And that's it for CMLL in November as far as the TV goes. A weak month for the company.

This was from the same TV episode that aired the Arena Coliseo torneo so it was heavily clipped. Wagner scored an emphatic pinfall over Santo and the bullshit with Tarzan Boy continued. Just turn already.

More clipping with just the finish shown. The title that the Stone brothers won was the revived CMLL Arena Coliseo Tag Team Championship, a secondary tag title meant to be competed for by the lower card guys. It fizzled out after a year or two but was revived again in 2008. The Stones held onto the title until they left the promotion in 2005.

Clipped but looked like solid undercard lucha.

This could have been better. I really wanted to get a look at Ultimo Guerrero vs. Casas but it turned into an "advance the storyline" match. Not only that but they cut out the second fall. When the best thing about a Casas singles match is Satanico blowing a gasket on the outside you know you've been jibbed.

Fishman was a rudo in the 70s and 80s as well. Angel Azteca and Panther have a title match the following month.

This was a fun match. It was worked in a tiny ring on one of the Toryumon's regular Kobe shows. M2K working over TARU wasn't the most interesting beatdown you'll see but it set up a wild finish with CIMA putting on a spectacular show for the fans in attendance. Post-match, M2K want a match with just Stalker and TARU at Korakuen, and I can't say I blame them after CIMA's impressive feats.

This looked like an interesting match on paper and was entertaining in patches. I really like the dynamic between Toyota and Kandori. They're a complete contrast from each other stylistically and in just about every other aspect as well. Kandori is constantly trying to intimidate Toyota but Toyota won't back down and that leads to some fabulous chemistry between the pair. Some of that was played as comedy here but there were also exchanges that reminded me of their awesome singles match from '98. The rest of the match was a bit of a trainwreck. Tateno's best days were well behind her and she pretty much served as a punching bag for Toyota to get all her shit in, and I don't think I'll ever become a Yumiko Hotta fan. When Kandori wasn't involved the match was straight Joshi. Toyota did her big dive off the balcony. I still haven't gotten used to Toyota doing 'extreme' spots like that. She messed up the finish 2 or 3 times as well. Hotta had to hastily improvise which was awkward since she was meant to be holding Kandori back in the corner. Toyota was trying to hit her Japanese Ocean Suplex on Tateno but seemed to be struggling with Tateno's weight. She got the pin in the end and the Kandori theatrics came to a close. Worth watching if you're interested in Kandori.

This was every bit as good as I remembered. I'm sick to death of LCO but when their matches are good they tend to be MOTYC level good. This was wild, chaotic, bloody and noisy. Honestly, it was one of the loudest crowds that Japan has had all year. Everything about this match was good but I do have some caveats --- the first is that I was raised on escape rules and I'm a fan of the gimmick, the second is that I am all-in on Kaoru Ito as All Japan Women's ace. Bearing those two things in mind, this was a glorious spectacle and probably the best women's match from the second half of the year. Folks can hate on Momoe if they want but she brawled her guts out here. She pretty much had no choice locked inside a cage with LCO but she was throwing headbutts and wreaking havoc and absolutely nailed her role of patrolling the outside and making sure none of the heels escaped. Ito cut deep as usual and had a crimson mask for much of the bout. I loved the way she threw herself back into the cage to save her partners and ended up trapped and alone. And the kicker was that she went one-on-one with the Judas, Maekawa. That the shittiest of turns could lead to a great match was nothing short of amazing. It may be one of the greatest turnarounds in wrestling history. The part where Watanabe interfered was as good a run-in as you'll see in any Crockett bout or any WWF booked match. It was pretty much perfect from an emotional point-of-view. And the double foot-stomp off the top of the rope is just sick. That is the most debilitating looking move you can imagine. When they carried Maekawa off at the end she looked like she was coughing up blood and nursing six broken ribs. The four girls celebrating after the bout was one of the better face celebrations you'll see too. When do you ever see four women looking so emotional and so badass at the same time? This was pretty much a symphony of chaotic, violence-filled Joshi with emotions running sky the entire time and the crowd right with them for the entire ride. I won't say much more since I'll end up overrating it in other people's eyes but it was considered the beginning of the short-lived AJW renaissance back in the day and holds up to this very day.

This turned into more of a Bolshoi appreciation match than a legitimately good pro-wrestling match but it was worth watching just to see Bolshoi work. She may be the best hybrid lucha-shoot style worker ever. I'm struggling to think of anyone who rivals her. I'm not a huge fan of hybrid styles but Bolshoi makes it work like few other workers and she's a joy to watch at all times. I've long admired her singles matches, and while this wasn't one of the better ones it was a welcome sight in the match listings. Miyazaki tried hard but she was a bit rough around the edges, She had the right attitude but ideally you want to see that attitude go hand in hand with execution and we didn't quite get enough of that. I'd love to see Bolshoi had a Super Delfin like run but I don't think JWP has the legs to make that sort of run especially when this was a match against a NEO talent.

JWP has had some decent wrestling in 2000 but it lacks the one thing the promotion always had --- heart. There's no heart and soul anymore now that most of the girls have retired or drifted toward GAEA. From what I understand, Bolshoi is the one keeping the promotion afloat but the promotion sorely lacks the chemistry of the previous roster and that close-knit feeling the workers had. Hyuga hadn't really bloomed in her role yet and I thought she looked far from world class in this but it was a pretty average match all round. The comedy between Reggie and Kyoko didn't do much for me and nothing really clicked offensively. Skippable.

There is a massive jump in those recommendations from 2001 to 2011, Watching Parka in Monterrey in 2000 he isn't a great brawler by any stretch of the imagination. I'm interested in revisiting that Santo match to see how much of a classic Santo brawl it is vs. a great Parka performance.

Am I the only one who is reminded of Gordi every time I see Thanos pop up somewhere?

Fun and energetic match feat. the dominant pairing of Chigusa and Satomura. They really should be on opposite sides from each other at this point. Chigusa sold a lot for the overmatched girls while Satomura took on the role of finisher. She wasn't as clinical as Chigusa may have liked (in both a kayfabe and a non-kayfabe sense one feels) but got the job done. Uematsu was a joy to watch as usual and The Bloody took the fight to Chigusa. Enjoyable while it lasted.

This was a decent 6-man that had Korakuen rocking at times. Hoshikawa showed his versatility in playing the FIP although it wasn't 100% natural. He did pretty well for a big ass-kicker, though. It made sense for the heels to try to work over the opposition's biggest weapon and played into the rivalry between Togo and Hoshikawa but it left the face side looking a bit thin. They had some decent shine spots but looked a bit weak in numbers. The action was pretty good -- as we've come to expect from Osaka Pro -- but it was too short for a main event bout and the finish didn't quite click as Hoshikawa regrouped and recovered too easily from being the man in peril. I wasn't expecting a classic overcoming the odds story (or anything close to it) but I do think if you're going to make FIP something more than time killing you need to work the finish a bit better than that. Not up there with the better Osaka 6-mans of the year.

Osaka Pro in Tokyo? Say it ain't so! This lacked the familiar atmosphere of their Osaka matches but it was still a pretty good wrestling match even if it did feel like a tour match at times. There was a difference in quality depending on who was in control since Delfin was masterful at this stage of his career and Murahama was still a bit raw, but Murahama has so many cool moves that you can forgive him for not passing his offense that well. The botched dive was bad and the stench lingered for a while afterward (Murahama's nervy response not helping matters) but they put it behind them and finished well. An exhibition match at heart but Delfin looked great. It will be hard for anyone to topple him as the year's best Japanese worker.

I don't think this match delivers on its amazing buildup. I wish they hadn't gone the PRIDE route and instead had a classic BattlARTS match. The outside brawling was weaker than in any of the tags prior and felt out of place in the style of match they were going for. It's strange to me that there was more memorable snoot style stuff in Osaka Pro than there was in BattlARTs in 2000.

Worked my way through the available footage from 1930. Most of it is newsreel clips of the finish. The standard finish to a bout in 1930 was guys throwing each other, and knocking each other off their feet as many times as they could, to ear their man down for the body press. Some of the finishes were wilder and rougher than others but that was the general gist. The finish could come after an hour or more of wrestling, though, so the real gems from the 1930 footage are the longer clips of Gus Sonnenberg vs. Count Zarynoff and Shikat vs. Londos which show you what the body of the bout looked like. There wasn't a lot of matwork shown presumably because the men filming the bouts wanted to save their film for the standup portions which promised to be more exciting. There was a strong emphasis on the tie-up in 1930. We're used to seeing a tie-up or a lock-up to stand a bout but they constantly returned to it in the early 30s as a means of throwing their opponent and further weakening him. There were a lot of cool escapes to avoid being thrown and a lot of cool work leading to the tie-up especially in Londos/Shikat where they kept giving each other shots to the face and head before the tie-up. I also noticed quite a lot of European flair from workers like Count Zarynoff which was cool to see. Also, I must add that Paul Boesch commentating over home videos of himself wrestling in the 30s is one of the treats in the 1930 collection.