dawho5

Good history lesson! I knew about the Abby/Sheik stuff, but did not realize that Tiger Jeet Singh was such a big deal. Had all but forgotten the Dump/Chiggy bloodbaths.

I love the use of the Southern Title as a kind of LHW championship with Mando facing the more agile guys. Huge card in Bloomington.

Great card top to bottom. The Vader match and the main really stood out for me.

A few great title matches on both cards with very 80s finishes. Slater appears to have chosen a side. Hall with a big win. Armstrongs and Long Riders would have been real good.

Tony does indeed kill it here. Where did this Tony go??? Paul did well with the promo but I thought Rude killed it. Looking forward to more from Rude for sure.

Not an actively bad finishing stretch, but we all knew going in Luger was winning.

WCW comes up with a lot of cool ideas. Then it tries to execute them and I cry a little on the inside usually.

Stinger has been showing aspects of his character lately that reveal why he is so popular with children. I propose that his character is meant to be a 12 year old boy in a man's body.

They did this phone bit twice?? Could they not think of better ways to do this?

This angle confirms for me that Sting is indeed a 12 year old boy in the body of a grown man. Madusa was pretty hot though, so I guess.

This is an amazing match. And reveal. And that's really all I can add. I guess I can be happy that it got the reaction it did after the bulk of 1991 as well.

I don't jump on this part of things often but I wanted to say how much I love how the project is going. We have some diverse, but very good writing styles going on and I wanted to take the time to show my appreciation for the writers. In no particular order. LowBlow I love your combination of realism with the TV setup and announcers with a much better card layout featuring marquee matchups that just didn't happen. And like you said in another thread, you prefer to take established guys and work with them. Seems like more realism for a guy running "the big leagues". I always like the little asides you put in here and there that give hints as to what is coming later too. Your SNME write-ups really are a highlight with the openings being really spot-on. Also like how you write Hogan so accurately despite not caring for him too much. The challengers you put in front of him are way more entertaining than IRL for my money. SirEdger You really make Lutte into something close to what it was. I have seen a very small amount and appreciate the level of detail you go into on that front. Your angles always really come off well too. You keep things really concise, but still capture the direction things are going very well. I envy that a lot. The sheer variety of your match-ups really keeps things fresh. I like the amount of NWA integration you use and I think you are the guy who brought this to the forefront honestly. Martel's list of challengers has been impressive and varied, which I like a lot. rainmakerr The way you develop your younger wrestlers is really, really good. I also like that you try to find bits and pieces from all over to have a mix of everything on the card in addition to all the rookies and the big midwest names. I really like how you plant seeds with your shows, leaving little breadcrumb trails to follow for the non-casual fan. Your setup is really good with guys like Bock, Orndorff and Zbysko bringing the fans in and the young guys working veterans to learn. Another real big plus is you would have a lot of fans learning about British wrestling and lucha due to the names in their own backyard. GeneJackson You get so much out of your TV. And your shows. Everything has this great sense of "it really comes from WCCW" to it. I'm pretty sure Embry is one of the most popular wrestlers in the project due mostly to you. I love how all the different storylines mix and match when they need to as well. Nobody is immune from being involved in somebody else's shit. One thing I always liked about WCCW is the idea that the Freebirds were heels against a lot of people, but against Akbar they were 100% babyfaces. Cheating bastards still, but babyfaces. I get the sense that is the case for you as well. kevin I'll come out and say it. At first i was put off by the whole Nation thing you had going in 85. But it grew on me and you use it the right way. One thing I like about your booking is the way the heels will band together into cohesive units and use their numbers on the babyfaces. Then the babyfaces form these loose confederations that may or may not be able to stand in the face of these organized heels. You have the race-baiting from the 80s in the South down too. I'm a big fan of the way you advance your angles because it fits perfect with a Southern promotion. The amalgam of Mid South and Memphis gave you a lot of freedom and in the wrong hands it would have gone wrong quickly. You get it right though. gordi You have a great grasp of the Japanese scene at the time. I like how you put Tenryu above Jumbo. It shows you are willing to upset the apple cart as it were and rebuild it a different way. I also like how you use that idea in the kind of matches you present. As JWA it makes sense that you can do these things. No major competition. Your detailed show write-ups really capture the way a match goes without killing any enjoyment, which is a hard thing to do. I look at your booking as something like Abby becoming best buddies with Baba and getting in his ear about the kind of matches he ran. spaldoni So far I really like your focus on midcarders for your shows. Develop that young talent for the future and keep the blue chippers. Your style so far is an amalgam of everyone else's, which is a pretty cool read. You have the right instincts with where your wrestlers are going so far and how to get them there. I would say trust those instincts and follow them on how you write up your shows. Try what you want to try and build on it. This isn't a criticism because I enjoy your shows very much. I thought your Starrcade writing was your best writing because I thought it broke from the norm more. I just think you may be limiting yourself by not exploring the places you want to go. Edit: As for me, I'm a carpenter. I look at the nails and screws and the wood and figure out where I want to put it all and why. Then I tell you why in really long-winded ways. I really do envy the terse nature of your angles a lot of the time.

Embry was in PR and my plan was to ask you for him down the road. We'll talk.

That main event was awesome from start to finish. Benoit vs. Douglas would have been a ton of fun. Love me some Moondogs.

Very exciting card. The blood elimination match was lots of fun even if it's out of place in this setting. Heels winning the opener makes a lot of sense. I really dug the AWA challenge match, and Jumbo blowing it for his team by pushing too hard was really good as well.

I'd like to add that Harley being just the aggressor instead of full-on heel in St. Louis is a genius bit of booking.

I'd say JR's eyerolling has more to do with his recent history with Heyman. And as much as Heyman does come off as psycho, I don't think hiring guys like Cactus and Abby to do your bidding and expecting the desired results would be within that definition of crazy. Rude's promo is really good and I like it better than his initial promo as the Phantom. He comes across as a really serious threat to Sting. When you think about that it doesn't seem like much. But after most of 1991 it is definitely an upgrade. I will agree that even if Paul's "WCW doesn't appreciate it's talent" line wasn't a shoot it was right on target.

So yeah, this happened. At least Embry got two minutes of amusement out of it. I'm guessing wherever this guy went he got ribbed for this one.

I liked Dustin's promo, I really did. Arn's promo blew it out of the water, waited for it to fall back in and blew it out of the water again. Arn has to be a top 20 all-time promo guy.

I'd agree with Loss. This was done with a classic horror movie sense to it, much like the Leatherface video was done with the whole idea of a slasher film in mind. Clearly it's a rip-off of Undertaker, but the way this was executed seems more fitting to that kind of gimmick. As for the idea of this in an actual Memphis studio, I'm glad I didn't see the squash match that this was leading to.

This was...unfortunate.

So these are over now? Good. Fuck Vince or whoever came up with it for thinking this would go over well.

I thought Borne did good with his mini-FIP, as did Dustin. My take on this match was that the crowd was a little confused with the layout. Both of the heel controls were short and I'm not sure any of the babyfaces were over enough to get the crowd into it with their offense. As good as Dustin and Borne's offense is, just i don't think either character had been given the time to really get the act over and it's a thrown together team in the first place. Crowd did heat up when Z-Man, the guy who has been a babyface forever, gets worked over. So I guess that is one plus for Zenk. The cage was definitely unnecessary, even if the heels all did a great job of selling it.

Another Hansen showcase. He goes far enough to make Misawa angry, and I think I can count the amount of times I've seen Misawa angry on one hand. Kawada shows a lot of fire in response as well. We see flashes of the 2/28/93 Kawada vs. Hansen in some of the exchanges here. Overall I'd say this match helped put both Kawada and Misawa over as badasses because they could hang tough to get a win when Hansen was clearly out for blood.

This was great. Flair cuts an all-time great promo on Hogan and Hogan can't match it. But Taker coming up from behind and the save by Savage and Piper keeps everything rolling. Finally you have Taker with a beyond-his-years performance stopping a couple of guys with chairs and doing some character work with the cross. Extremely well-done segment that shows how the WWF could use goofy shit like the Funeral parlor and still create meaningful results out of it.